『오로러 리』에 나타난 성과 계급의 문제
Gender and Class in Aurora Leigh
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Abstract
This study aims at analyzing the intersection between, or overdetermination of, gender and class in Elizabeth Barrett Browning's verse-novel Aurora Leigh. Although modern feminist critics firmly re-established this long poem, which was very popular in its days, as one of the great canonical works in English literature, the interconnection between gender and class in this controversial poem has not been thoroughly examined by any critics. This paper focuses on the analysis of the relationship between gender, sexuality, and class in Barrett Browning's work in terms of the roles of the major characters and their relationship with each other. The premise is that Barrett Browning provides a strong critique of contemporary society, combining the "Woman Question" with the topical issues of class in mid-Victorian period. The first half of the paper investigates Aurora's growth both as woman and artist in her relationship with Romney and Marian, while the second half primarily deals with Marian, Lady Waldemar, and Romney. The conclusion considers the ramifications of the ending of the poem in relation to the nineteenth-century version of socialist feminism and the thoughts of John Ruskin and William Morris as well.
참고문헌 (25)
- Browning, Elizabeth Barrett, "Aurora Leigh: Authoritative Text, Backgrounds and Contexts, Criticism." (1996), Norton
- Eds. John Robert Glorney Bolton, "Aurora Leigh and Other Poems." (1995), Penguin Books
- Ed, "The Complete Poetical Works of Elizabeth Barrett Browning" (1993)
- Bloom, Harold, "Elizabeth Barrett Browning" (2002), Chelsea House
- Bolton, John Robert Glorney, "Aurora Leigh and Other Poems" (1995), Penguin Books
- Patrick, "The Spirit of Reform", pp.150~79 (1832)
- Case, "Gender and Narration in Aurora Leigh"
- Cooper, "U of North Carolina P", pp.145~88 (1988)
- The Old Right, "U of Minnesota P", pp.201~24 (1990)
- Donaldson, Sandra, "Critical Essays on Elizabeth Barrett Browning" (1999), G. K. Hall
- Duplessis, "K？nstlerroman by Women Writers"
- Egan, "Glad Rags for Lady Godiva; Woman's Story as Womanstance in Elizabeth Barrett Browning's Aurora Leigh"
- Hickok, "'New Yet Orthodox'-The Female Characters in Aurora Leigh"
- Kaplan, "Aurora Leigh with Other Poems", pp.5~30 (1978)
- Lee, "The Relationship between Class and Language in Aurora Leigh The Journal of English Language and Literature 39", pp.709~26
- Victorian Women Poets, "Writing Against the Heart U of Virginia P", pp.78~117 (1992)
- "＂'Because men made the law': The Fallen Woman and the Woman Poet＂", pp.223~245 (1995), Macmillan
- Dorothy, "The Origins of a New Poetry U of Chicago P"
- Reynolds, "[Allusion in the Verse-Novel"
- Rosenblum, "The Genesis of Elizabeth Barrett Browning's Visionary Aesthetic"
- Cynthia, "Feminism and Christian Typology in Auroa Leigh"
- "Elizabeth Barrett Browning.", pp.134~188 (1995), St. Martin's,
- Thum, Maureen, "Challenging Traditionalist Gender Roles: The Exotic Woman as Critical Observer in Elizabeth Barrett Browning's Aurora Leigh＂", pp.223~236
- Ladislav Matejka, "Marxism and the Philosophy of Language", ?i(v) (1973)
- Wallace, "'Nor in Fading Silks Compose' and Poetic Labor in Aurora Leigh"