근대이후 한국 문묘일무의 변천사 연구

Abstract

This study set out to trace the changing history of Korean Munmyoilmu since the modern times, make use of the results as objective data, and solidify its position as a developmental field of study. Being the dance to symbolically express the unique legitimacy of Confucianism, Munmyoilmu was introduced into Goryeo in the 11th year of King Yejong's reign(1116) along with Daeseongaak. Today the Sunggyungwan of Korea continues the tradition of performing both Munmu and Mumu at Seokjeondaeje, keeping the heritage alive. There have been, however, various changes to the dance movements through Goryeo, Joseon, modern times and contemporary times. Focusing on the changing patterns of Munmyoilmu dance movements since the modern times, the present study examined the three following types of Munmyoilmu dance movements after the changes: 1) the Munmyoilmu dance movements in the form of Sambangbae; 2) the Munmyoilmu dance movements that were performed for 25 years since the spring Seokjeon of 1981; and 3) the Munmyoilmu dance movements that were restored to the original form in 2006. It is unfortunate that there was no right transmission system in the past. They, however, claim their significance in that they were parts of efforts to preserve the unique Korean culture beyond the controversy over what is right and wrong. The present study will hopefully lead to more contemplations over the cultural heritage of the nation.