‘17년’ 기간 동안 개조된 중국민속춤과 안무자 주관의식에 대한 연구
A Study on the Political Renovation and Personal Subjective Renovation of Choreographers to China Folk Dance Becoming Performing Arts from 1949 to 1966
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
본논문은중국의민속춤은‘17년’ 동안정치적및안무가의주관적요건에의해어떻게개조되었는가에초점을맞추었 다. 중국민속춤은뚜렷한선전효과를보여주고있기때문에, 중국민속춤에대한정치적개조는필연적인것이었다. 주제 와공연스타일은주요한개조대상이되었다. 그리고안무가들의개인의주관적개조는민속춤의변화에또다른중요한 요소가되었다. 전통민속춤문화에있어, 우리는목표를구성하고그것을변경하면서그것을사용하기전에, 완성도를유 지하고존중해야할것이다. 전통민속춤의계승과정치적요소혹은안무사이에있어분명한제한을둘필요가있을것 이다.
Abstract
In this paper, we focused on how China folk dance was renovated through the political and choreographers’subjective factors in the period of ‘Seventeen Years’. Because China folk dance showed the obvious propagandizing effect, the political renovation to China folk dance was inevitable. The themeand style of performance were mainly renovated objectivities. Personal subjective renovation of choreographers was the other important factors to the changes of China folk dance. We should keep and respect their completeness well before using them as choreographing object and changing them. It is necessary that makes clear the limits between the succession of traditional folk dance and political factor or choreography.
참고문헌 (13)
- 龔金平, "主流意識形態的倫理化表達――十七年（1949~1966）和“文革”（1966~1976）時期中國改編電影研究", 蘭州學刊, (11) (2007)
- 劉忱, "形成社會主義文藝的三種動力", 理論學刊, (1) (2008)
- 毛澤東, "在延安文藝座談會上的講話" (1991), 人民出版社
- 安徽省志, "安徽省志․文化藝術志" (1998), 方志出版社
- 午人, "安塞群众在春节中 组织秧歌三十余队 内容形式革新获得群众赞美, 解放日報 2月24日", ~ (1943)
- 吳曉, "當代中國舞蹈" (1993), 當代中國出版社
- 吳曉邦, "總結經驗繼續前進. in: 舞論集", pp.33~ (1980), 四川文藝出版社
- 吳曉邦, "我的舞蹈藝術生涯", pp.73~ (1982), 中國戲劇出版社
- 田漢, "為愛國主義的人民新戲而奮斗――一九五零年十二月日在全國戲曲工作會議上的講話" (1950), 中國戲劇出版社
- 周揚, "堅決貫徹毛澤東文藝路線" (1951), 人民文學出版社
- 肖靈, "根植傳統面向未來――談現代民間舞的素材與教材", 北京舞蹈學院學報, (1) (2001)
- "中國中央電視臺科學教育頻道『大家欄目對賈作光先生所作的名為『陽光下的舞者專訪", ~