‘Murmur[ing] Name upon Name’: Yeats, Daniel Crilly, John Kells Ingram and Young Ireland Balladry
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Section V of The Tragic Generation, Book IV of The Trembling of the Veil (1922) opens with a double-themed meditation on the Rhymers’ Club and what became the Irish Literary Society. The connexion perhaps lies in the numbers of Irish- or Celtic-sympathizers among the active membership of the Rhymers’ Club. John Kells Ingram (1823-1907), who wrote in March 1843 ‘The Memory of the Dead’. arguably the greatest literary ballad of the Young Ireland era. By the time Yeats admitted authorship, Ingram’s ballad had been ‘for much of the nineteenth century the anthem of Irish nationalism.’ On the other hand, around 1916, Yeats recalls the diplomat Daniel Crilly (1857-1923)’s reading of the ballad ‘The Men of By and By’ in 1888 because, Yeats is not sure that even after the events of Easter, 1916, Ireland really has become the nation of Davis’s dream. Like Crilly then, he can only murmur over sacred names. Crilly’s old performance pushes Yeats to question only the harder this ritual of memorialisation.
Abstract
Section V of The Tragic Generation, Book IV of The Trembling of the Veil (1922) opens with a double-themed meditation on the Rhymers’ Club and what became the Irish Literary Society. The connexion perhaps lies in the numbers of Irish- or Celtic-sympathizers among the active membership of the Rhymers’ Club. John Kells Ingram (1823-1907), who wrote in March 1843 ‘The Memory of the Dead’. arguably the greatest literary ballad of the Young Ireland era. By the time Yeats admitted authorship, Ingram’s ballad had been ‘for much of the nineteenth century the anthem of Irish nationalism.’ On the other hand, around 1916, Yeats recalls the diplomat Daniel Crilly (1857-1923)’s reading of the ballad ‘The Men of By and By’ in 1888 because, Yeats is not sure that even after the events of Easter, 1916, Ireland really has become the nation of Davis’s dream. Like Crilly then, he can only murmur over sacred names. Crilly’s old performance pushes Yeats to question only the harder this ritual of memorialisation.
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