Performing Commemoration, Textualizing Remembering in “Easter 1916”
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Commemoration is an unfinished living process and the meanings of monuments always evolve as each generation brings new horizons and understandings to them. With an eye toward such critical issues commemoration and memory raise, this article examines in what follows how W. B. Yeats performs an act of commemoration in “Easter 1916” and how his mixed impulses and self-divisive impulses are textualized into the poem.
Abstract
Commemoration is an unfinished living process and the meanings of monuments always evolve as each generation brings new horizons and understandings to them. With an eye toward such critical issues commemoration and memory raise, this article examines in what follows how W. B. Yeats performs an act of commemoration in “Easter 1916” and how his mixed impulses and self-divisive impulses are textualized into the poem.
참고문헌 (10)
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- Cammen, Michael, "Mystic Chords of Memory" (1991), Knopf
- Castle, Gregory, "Modernism and the Celtic Revival" (2001), Cambridge UP
- Ellmann, Richard, "The Identity of Yeats" (1964), Oxford UP
- Halbwachs, Maurice, "On Collective Memory. 1925" (1992), U of Chicago P
- Kiberd, Declan, "Inventing Ireland" (1997), Harvard UP
- Lloyd, David, "Anomalous States: Irish Writing and the Post-colonial Moment" (1993), Liliput
- Martin, Augustine, "What Stalked through the Post Office? (Reply to Seamus Deane)", U of Michigan P, pp.261~278 (1996)
- Yeats, William Butler, "The Variorum Edition of the Poems of W. B. Yeats" (1957), Macmillan
- Young, James, "The Texture of Memory" (1993), Yale UP
