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‘성애’, ‘폭력’, ‘광기’의 소극: 오튼의 『집사가 본 것은』에 나타난 현대 영국 사회의 신화 해체

A Study on the Farce of ‘Sexuality’, ‘Violence’, ‘Madness’ in the Play of Orton’s What the Butler Saw Centered on the Deconstruction of the Myth in Modern British Society

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This study explores Joe Orton’s What the Butler Saw related to the theme of sexuality, violence and madness, which reveals harsh reality of modern English society he attacks. In What the Butler Saw Orton emphasizes nightmarish world through Dr. Prentice’s psychiatric clinic in order to portray mad, sexual and frightening violence of contemporary life. Through the play, Orton subverts the traditional norm and values of modern English society which presents a hypocritical formality. In particular, he satires the authority of institutional mores and deconstructs a modern myth represented by psychiatric doctors who symbolize the inherent madness and violence of bureaucratic authority through the action of the play. For the theatrical devices, Orton takes the convention of bedroom farce combining the comic activity of the traditional farce with the tragic reality of crueler society. In What the Butler Saw Orton accents the aggressive nature of farce which satirizes conventional social and moral code. For this reason, What the Butler Saw is the most play which Orton shows the exaggerated image of chaos, violence, madness and sexuality for reveling trenchant modern English society there is nothing worth concealing.

Abstract

This study explores Joe Orton’s What the Butler Saw related to the theme of sexuality, violence and madness, which reveals harsh reality of modern English society he attacks. In What the Butler Saw Orton emphasizes nightmarish world through Dr. Prentice’s psychiatric clinic in order to portray mad, sexual and frightening violence of contemporary life. Through the play, Orton subverts the traditional norm and values of modern English society which presents a hypocritical formality. In particular, he satires the authority of institutional mores and deconstructs a modern myth represented by psychiatric doctors who symbolize the inherent madness and violence of bureaucratic authority through the action of the play. For the theatrical devices, Orton takes the convention of bedroom farce combining the comic activity of the traditional farce with the tragic reality of crueler society. In What the Butler Saw Orton accents the aggressive nature of farce which satirizes conventional social and moral code. For this reason, What the Butler Saw is the most play which Orton shows the exaggerated image of chaos, violence, madness and sexuality for reveling trenchant modern English society there is nothing worth concealing.

참고문헌 (19)

  1. Bigsby, Christopher, "Joe Orton" (1982), Methuen
  2. Casmus, Mary, "Farce and Verbal Style in the Plays of Joe Orton", Journal of Popular Culture, 13, pp.461~468 (1980)
  3. Charney, Maurice, "Joe Orton" (1984), Grove
  4. Charney, Maurice, "What Did the Butler see in Orton’s What the Butler Saw", Modern Drama, 25, pp.496~504 (1982)
  5. Dollimore, Jonathon, "Sexual Dissidence: Augustine to Wilde, Freud to Faucault" (1991), Claredon Press
  6. Evans, Michael, "The Resolution of Joe Orton’s What the Butler Saw", Comedy Studies, 5, pp.149~153 (2014)
  7. Knowledge: Selected Interviews and Other Writings 1972-1977, "Power", pp.1980, Foucault, Michel
  8. Foucault, Michel, "Language, Counter-Memory. Practice: Selected Essays and Interviews" (1977), U of Cornell P
  9. Gaskill, Jane, "Prison Did not Make Me Bitter", Daily Sketch, 11, pp.8~ (1966)
  10. Greenberg, Joel, "Joe Orton : A High Comedy of Bad Manners", Journal of Dramatic Theory and Criticism, 15, pp.133~144 (2001)
  11. Harris, Joseph, "What Butler Saw : Cross-Dressing and Spectatorship in Seventeenth-century France", Project Muse, 29, pp.67~79 (2006)
  12. Hastorf, Albert. H., "Person Perception" (1976), Addison-Wesley Publishing
  13. Hunt, Albert, "What the Butler Saw(Review)", New Society, 17, pp.148~150 (1975)
  14. Lahr, John, "Prick up Your Ears" (1987), Avon Books
  15. Nakayama, Randall. S, "Domesting Mr. Orton", Theatre Journal, 45, pp.185~195 (1993)
  16. Orton, Joe, "The Complete Plays" (1969), Bloomsbury
  17. Shapiro, Norman, "Four Farces" (1970), U of Chicago P
  18. Streit, Linda, "The Entertaining Mr. Orton : How Joe Orton's Plays can Outgrow the ‘Swinging Sixties'", Theatre Research International, 29, pp.246~255 (2004)
  19. Wright, Nicholas, "Changing Stages: A View of British Theatre in the Twentieth Century" (2001), Bloomsbury

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