Korean Intellectuals’ Perception of Baekdusan and the Historical Significance Thereof : Focusing on Travelogues Produced during the 1920s and 1930s
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This study explores the theme-based significance of seven travelogues of Baekdusan written in the 1920s and 1939s by Korean intellectuals, ranging from Min Taewon’s Baekdusan haeng compiled in 1921 to Yi Sangho’s Baekdusan haeng in 1936. These travelogues of Baekdusan are based on a search for the national identity of Korea but they each have their own characteristics. They mainly have two perspectives. One is related to the criticism of the reality of colonial destruction in Korea which was justified under the name of modernization by the Japanese. Through this perspective, authors often paid attention to the draw of Gando (Jiandao), an area that had been lost because of Japanese coercion. The other is about searching for the national identity of Korea by reminiscing about Korean myths while visiting Baekdusan, which is a relatively subjective perspective. As in the case of Choe Namseon’s work, Baekdusan is regarded as the space from which the nation originated via a focus on the relics of Dangun, the individual widely regarded as the founder of the Korean nation.
Abstract
This study explores the theme-based significance of seven travelogues of Baekdusan written in the 1920s and 1939s by Korean intellectuals, ranging from Min Taewon’s Baekdusan haeng compiled in 1921 to Yi Sangho’s Baekdusan haeng in 1936. These travelogues of Baekdusan are based on a search for the national identity of Korea but they each have their own characteristics. They mainly have two perspectives. One is related to the criticism of the reality of colonial destruction in Korea which was justified under the name of modernization by the Japanese. Through this perspective, authors often paid attention to the draw of Gando (Jiandao), an area that had been lost because of Japanese coercion. The other is about searching for the national identity of Korea by reminiscing about Korean myths while visiting Baekdusan, which is a relatively subjective perspective. As in the case of Choe Namseon’s work, Baekdusan is regarded as the space from which the nation originated via a focus on the relics of Dangun, the individual widely regarded as the founder of the Korean nation.
참고문헌 (12)
- An, Jaehong, "Baekdusan deungcheokgi (白頭山登陟記)" (1931), Yuseon saseojeom
- Choe, Namseon, "Baekdusan geunchamgi (白頭山覲參記). In Yukdang Choenamseon jeonjip 6 (Collection of the Works of Choe Namseon 6)" (1973), Hyeonamsa
- Dae, Eun, "Dongbangui Himalaya Baekdusan jongbogi, Bulgyo (Buddhism), Issue No. 10-12, 1930. In Ileobeorin punggyeong 2: 1920-1940; Baekdusaneul chajaseo (Lost Landscape 2: 1920-1940; Search for Baekdusan)" (2005), Homi
- Min, Taewon, "Baekdusan haeng (白頭山行). In Ileobeorin punggyeong 2: 1920-1940; Baekdusaneul chajaseo (Lost Landscape 2: 1920-1940; Search for Baekdusan)" (2005), Homi
- Seo, Chun, "Baekdusan tamheomgi (白頭山探險記). In Ah! Cheonjida-33 inui baekdusan tamheomgi (Oh! It is Cheonji Lake: Stories of thirty-three people’s expedition to Baekdusan)" (1989), Sumun chulpansa
- Yi, Eunsang, "Yukdangui geuneop, Baekdusangireul ilko (After reading Yukdang’s recent work, Baekdusangi). In Ileobeorin punggyeong 2: 1920-1940; Baekdusaneul chajaseo (Lost Landscape 2: 1920-1940; Search for Baekdusan)" (2005), Homi
- Yi, Sangho, "Baekdusan haeng (白頭山行). In Ah! Cheonjida-33 inui baekdusan tamheomgi (Oh! It is Cheonji Lake: Stories of thirty-three people’s expedition to Baekdusan)" (1989), Sumun chulpansa
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- 류시현, "여행과 기행문을 통한 민족`민족사의 재인식: 최남선의 사례를 중심으로", 史叢, (64), pp.103~130 (2007), 역사학연구회
- 서영채, "기원의 신화를 향해 가는 길: 최남선의 『백두산 근참기』", 한국근대문학연구, 12(12), pp.96~138 (2005), 한국근대문학회