A Portrait of the Artist as a Young Man: The Creative Art of Lacanian Letter inbetween the Real and the Symbolic
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Yu, Myongja. “A Portrait of the Artist as a Young Man: The Creative Art of Lacanian Letter inbetween the Real and the Symbolic.” Studies in English Language & Literature 46.4 (2020): 59-74. This paper explores the world of the Lacanian letter in relationship with its presence in Joyce’s A Portrait of the Artist as a Young Man. His novel draws our attention to the correlation between the narrative and letter-ness of the 'portrait' in question. The letter's role in the narrative creation is primordial for not only that is the cause-well of the creation but also the entrance of the characters who possess the letter and their respective exit, such as in the Walz, deprived of that letter constitute the very narrative web. According to Lacan, as does Joyce himself, this letter reveals itself as the 'litter,' the remnant objet on the shore of the Real, the gap. The more accurate location of that shore is, in fact, the overlapped inbetween the Real and the Symbolic, where, amongst others, the indescribable Real under the manifesting fractal forms of Subject, existence, cogito, objet a, drive, and other more reside. Therefore, one can discover that Joyce's narrative strategy was, though unaware of Lacanian letter, to locate his young protagonist, Stephen Dedalus, in that place of inbetween, let him dwell there and become the letter itself, a bird-letter-man. Likewise, the letter’s multiformity opens the era of the ‘letter a’ after the objet a. Furthermore, we go from the letter directly to the creation mechanism for the imagination is living out of the letter-Real; The vicissitude itself of his letter constructs the narrative fabric as Lacan showed us. (Kyungpook National University)
Abstract
Yu, Myongja. “A Portrait of the Artist as a Young Man: The Creative Art of Lacanian Letter inbetween the Real and the Symbolic.” Studies in English Language & Literature 46.4 (2020): 59-74. This paper explores the world of the Lacanian letter in relationship with its presence in Joyce’s A Portrait of the Artist as a Young Man. His novel draws our attention to the correlation between the narrative and letter-ness of the 'portrait' in question. The letter's role in the narrative creation is primordial for not only that is the cause-well of the creation but also the entrance of the characters who possess the letter and their respective exit, such as in the Walz, deprived of that letter constitute the very narrative web. According to Lacan, as does Joyce himself, this letter reveals itself as the 'litter,' the remnant objet on the shore of the Real, the gap. The more accurate location of that shore is, in fact, the overlapped inbetween the Real and the Symbolic, where, amongst others, the indescribable Real under the manifesting fractal forms of Subject, existence, cogito, objet a, drive, and other more reside. Therefore, one can discover that Joyce's narrative strategy was, though unaware of Lacanian letter, to locate his young protagonist, Stephen Dedalus, in that place of inbetween, let him dwell there and become the letter itself, a bird-letter-man. Likewise, the letter’s multiformity opens the era of the ‘letter a’ after the objet a. Furthermore, we go from the letter directly to the creation mechanism for the imagination is living out of the letter-Real; The vicissitude itself of his letter constructs the narrative fabric as Lacan showed us. (Kyungpook National University)
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