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Hysteric Subaltern Modernists: James Joyce, Yun Dong-ju, and Us

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한국비교문학회 (The Korea Comparative Literature Association)|2021.02|비교문학 (COMPARATIVE LITERATURE)|제83호|pp. 121-155

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참고문헌

키워드

윤동주저항 문학Resistance Literature제임스 조이스James JoyceYun Dong-juAnti-colonial ModernistSubaltern WritingJacques Lacan’s Hysteric discourse반식민주의 모더니스트서발턴 글쓰기라캉의 히스테리 담화
주제분류기타인문학

초록

This paper formulates a colonial parataxis between Ireland and Korea, with key literary works of James Joyce and Yun Dong-ju. By investigating the respective works of this colonial duo, the paper proves that the writing of the subaltern modernist does not represent a passive imitation of imperial writers, but rather is a proactive struggle to resist the external oppression, all the while it seeks an answer to the neurotic question of “Who am I?” In the pursuit of this purpose, Joyce’s two short stories—“After the Race” and “A Little Cloud” (both 1914)—and selected poems from Yun’s Sky, Wind, Star, and Poetry (1948) will be primarily analyzed with Jacques Lacan’s hysteria discourse. This paper further applies the same theoretical structure to Joyce and Yun themselves’ writership manifested in Joyce’s A Portrait of the Artist as a Young Man (1916), Finnegans Wake (1939), and Yun’s poetries, disclosing that these anti-colonial modernists enjoyed hysteric Autre-jouissance while desperately looking for their oppressed identity. That is to say, Joyce and Yun’s literary style emerged as their symptoms of colonial hysteria to defy colonial order and restore their authentic self. Ultimately, their hysteria will be dealt with as a vital spirit of Fredric Jameson’s modernity: humankind’s eternal and recurring resistance against civilization toward Utopia.

Abstract

This paper formulates a colonial parataxis between Ireland and Korea, with key literary works of James Joyce and Yun Dong-ju. By investigating the respective works of this colonial duo, the paper proves that the writing of the subaltern modernist does not represent a passive imitation of imperial writers, but rather is a proactive struggle to resist the external oppression, all the while it seeks an answer to the neurotic question of “Who am I?” In the pursuit of this purpose, Joyce’s two short stories—“After the Race” and “A Little Cloud” (both 1914)—and selected poems from Yun’s Sky, Wind, Star, and Poetry (1948) will be primarily analyzed with Jacques Lacan’s hysteria discourse. This paper further applies the same theoretical structure to Joyce and Yun themselves’ writership manifested in Joyce’s A Portrait of the Artist as a Young Man (1916), Finnegans Wake (1939), and Yun’s poetries, disclosing that these anti-colonial modernists enjoyed hysteric Autre-jouissance while desperately looking for their oppressed identity. That is to say, Joyce and Yun’s literary style emerged as their symptoms of colonial hysteria to defy colonial order and restore their authentic self. Ultimately, their hysteria will be dealt with as a vital spirit of Fredric Jameson’s modernity: humankind’s eternal and recurring resistance against civilization toward Utopia.

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