신여성의 새역사 만들기: 올리브 슈라이너의 『 아프리카 농장 이야기』
The Making of New History by New Woman: Olive Schreiner's The Story of an African Farm
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Abstract
Critical discussions of The Story of an African Farm(the Story) often fail to locate the feminist theme in the context of Schreiner's ideas of evolutionary development of Humanity, paying little attention to its diverse narrative strategies Schreiner adopts in order to explore her ideas of New Woman, New Man, and New History. The aim of this paper is to propose that the Story should be read as the making of new history by New Woman rather than a feminist propaganda novel or a precursor of a modernist formal experiment. Schreiner has a vision of future utopia which a perfect union of free man and free woman will make possible, and which is in the far distant, toward which the New Woman and the New Man should strive to move in the present. Schreiner presents her New Woman and New Man through Lyndall and Waldo making first steps separately in different ways toward a new world using her diverse narrative strategies. The Story has a disruptive unlinear narrative form with reversed conventional plot construction, dual protagonists, intruding discursive discourses, dreams or allegories. These are the means by which Schreiner makes Lyndall and Waldo represent her ideas of New Woman and New Man in The Story since the gap created by the theoretical discourses and the narrated story provides the field in which New Woman and New Man in the present can work.
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