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구원의 어머니상 : 유진 오닐의 『이상한 막간극』과 『잘못 태어난 자의 달』 읽기

The Mother’s Image of Salvation: Eugene O’Neill’s Strange Interlude and A Moon for the Misbegotten

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Cho, Yongjae · Kwon, Seungki. “The Mother’s Image of Salvation: Eugene O’Neill’s Strange Interlude and A Moon for the Misbegotten.” Studies in English Language & Literature. 37.2 (2011): 185-204. Eugene O’Neill, through his research of modern man’s conflict and suffering, hoped to find the meaning of existence and salvation. The female characters in his plays have a cold recognition as to the reality and play an important role for the male characters and help them acquire salvation through awakening. Both Nina, a mythologized woman and an active, positive mother in Strange Interlude, through her Life Force, and Josie, a perfect woman god and Earth Mother in A Moon for the Misbegotten, through her pity, forgiveness, and love, lead the male characters of the former, who suffer from mother-complex, and Tyrone of the latter, who suffers from his mental anguish and conflict caused by his mother’s death, to salvation for the return of true reality. Nina and Josie, as a mother and a helper, play a decisive and important role leading the male characters to salvation beyond the tradition and the restriction of mask. Therefore, the female characters, in the long run, enable the male characters to draw hope, brightness, affirmation, victory, and delight from despair, darkness, negation, defeat, and sorrow. (Wonkwang University · Cheongam College)

Abstract

Cho, Yongjae · Kwon, Seungki. “The Mother’s Image of Salvation: Eugene O’Neill’s Strange Interlude and A Moon for the Misbegotten.” Studies in English Language & Literature. 37.2 (2011): 185-204. Eugene O’Neill, through his research of modern man’s conflict and suffering, hoped to find the meaning of existence and salvation. The female characters in his plays have a cold recognition as to the reality and play an important role for the male characters and help them acquire salvation through awakening. Both Nina, a mythologized woman and an active, positive mother in Strange Interlude, through her Life Force, and Josie, a perfect woman god and Earth Mother in A Moon for the Misbegotten, through her pity, forgiveness, and love, lead the male characters of the former, who suffer from mother-complex, and Tyrone of the latter, who suffers from his mental anguish and conflict caused by his mother’s death, to salvation for the return of true reality. Nina and Josie, as a mother and a helper, play a decisive and important role leading the male characters to salvation beyond the tradition and the restriction of mask. Therefore, the female characters, in the long run, enable the male characters to draw hope, brightness, affirmation, victory, and delight from despair, darkness, negation, defeat, and sorrow. (Wonkwang University · Cheongam College)

참고문헌 (16)

  1. Barlow, Judith E., "Final Acts: The Creation of Three Late O’Neill Plays" (1985), Georgia UP
  2. Berlin, Norman, "Eugene O’Neill" (1982), Macmillan
  3. Black, Stephen A. Rev, "Letting the Dead Be Dead: A Reinterpretation of A Moon for the Misbegotten", EON, 1(11), pp.52~ (1987)
  4. Bogard, Travis, "Introduction, In The Later Plays of Eugene O’Neill" (1967), The Modern Library
  5. Bogard, Travis, "Contour in Time:The Plays of Eugene O’Neill" (1972), Oxford UP
  6. Chothia, Jean, "Forging a Language: A Study of the Plays of Eugene O’Neill" (1981), Cambridge UP
  7. Engel, Edwin A., "The Haunted Heroes of Eugene O’Neill" (1953), Harvard UP
  8. Floyd, Virginia, "The Enduring O’Neill: Which Plays Will Survive", EON, 1(1), pp.2~15 (1977)
  9. Gelb, Arthur, "O’Neill" (1973), Harper & Row
  10. Herzog, Callie Jeanne, "Nora’s Sisters: Female Characters in the Plays of Ibsen, Strindberg, Shaw, and O’Neill", 박사, pp.1982
  11. Jackson, Esther M., "O’Neill the Humanist, In Eugene O’Neill: A World View" (1979), Ungar
  12. Mandel, Bette, "Absence as Presence: The Second Sex in The Iceman Cometh", The Eugene O’Neill News Letter, 6, pp.10~15 (1982)
  13. O’Neill, Eugene, "A Moon for the Misbegotten" (1974), Vintage Books
  14. O’Neill, Eugene, "Strange Interlude in Selected Plays of Eugene O’Neill" (1967), Random House
  15. Stone, Merlin, "When God Was a Woman" (1976), Harcourt Brace
  16. Vena, Gary A., "The Role of the Prostitute in the Plays of Eugene O’Neill", Drama Critique, 10, pp.83~91 (1967)

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