충절과 참회의 애절한 선율 - 이신(貳臣) 오위업의 시를 중심으로

Abstract

This study examines Èr Chén Wu Weiye’s poem, which sublimated the agony, anguish, and lonely penance of the times into literature as an intellectual who was renowned in the turbulent era of the Ming and Qing changes, with a sense of theme of loyalty and penance. It is to find literary achievements that create the tragic echo of the times and life with the whole body through his poems made by the constant operation of the subjective self in objective reality perception. In Chinese poetry, Wu Weiye was in a leading position in the formation of the Qing Dynasty, and played an important role in the flow of poetry from Ming to Qing. When he experienced a historical situation in which the country was shattered by the ethnic group Manchurian, who are immigrants, and the dynasty he was in collapsed disastrously, and a new dynasty was established, he was forced to take office due to persecution of others, not his own will. The desperate song of Wu Weiye was a drama of emotion that intersected social reality and personal emotions, and it was an unconscious symbol and musical variation that constantly awakened his consciousness in the world experienced by the poet. He clearly described the complex social reality of the inner and outer currencies of the late Ming Dynasty and the early Qing Dynasty, and most of his poems are closely related to the state and current affairs. In his later years, he chose to be isolated from external relations and was ashamed and repentant until he fulfilled his order for failing to keep his incision. He hoped that the reader would know all his loyalty by carrying everything in his life in the poem. I think the study of poetry by Wu Weiye, whose weight of curved life unfolds endlessly with various sanctions, will not end up looking at the poet's poetry world, where history and personal history are combined, but will play an important role in understanding Chinese poetry during the Ming and Qing periods.