From a Competition of Mourning to a Community of Sorrow: The Improbable Alliance of Women and Melancholic Solidarity in Richard III
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Against Mario DiGangi’s recent challenge to the feminist recuperation of (dis) empowered women in Richard III, I argue that the play builds up a sense of solidarity among the females by representing its gradual transformation. The competitive elite women in the play’s later part strike up a kind of melancholic solidarity with the shared experience of mourning, cursing, losing, and grieving. When they are empowered to communicate with each other and feel sympathy towards the others’ loss and pain, an alternative vision of relationship emerges against Richard and his cohorts’ frequent invocation of male friendship. As pitted against the Ricardian exploitation and mockery of friendship as a humanist ideal, I suggest, the female alliance of Richard III points to the limit-case of melancholic solidarity as a shared experience that would lend itself to a symbolic front of resistance without necessarily producing a sense of belonging or firm ground for identity.
Abstract
Against Mario DiGangi’s recent challenge to the feminist recuperation of (dis) empowered women in Richard III, I argue that the play builds up a sense of solidarity among the females by representing its gradual transformation. The competitive elite women in the play’s later part strike up a kind of melancholic solidarity with the shared experience of mourning, cursing, losing, and grieving. When they are empowered to communicate with each other and feel sympathy towards the others’ loss and pain, an alternative vision of relationship emerges against Richard and his cohorts’ frequent invocation of male friendship. As pitted against the Ricardian exploitation and mockery of friendship as a humanist ideal, I suggest, the female alliance of Richard III points to the limit-case of melancholic solidarity as a shared experience that would lend itself to a symbolic front of resistance without necessarily producing a sense of belonging or firm ground for identity.
참고문헌 (37)
- Adelman, Janet, "Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest" (1992), Routledge
- Anderson, Penelope, "The Absent Female Friend: Recent Studies in Early Modern Women’s Friendship", Literature Compass, 7(4), pp.243~253 (2010)
- Brooks, Harold F., "Richard III, Unhistorical Amplifications: The Women’s Scenes and Seneca", Modern Language Review, 75(4), pp.721~737 (1980)
- Butler, Judith, "Notes Toward a Performative Theory of Assembly" (2015), Harvard UP
- Butler, Judith, "Precarious Life: The Powers of Mourning and Violence" (2004), Verso
- Butler, Judith, "The Force of Non-Violence: An Ethico-Political Bond" (2020), Verso
- De Grazia, Margreta, "Historicism, Psychoanalysis, and Early Modern Culture", pp.350~375 (2000), Routledge
- DiGangi, Mario, "A Feminist Companion to Shakespeare", pp.428~439 (2016), Wiley Blackwell
- Donawerth, Jane, "‘The Issue of the Mother’s Body’: The Differences Feminist Criticism Has Made to Interpreting Shakespeare’s Richard III", Graven Images, 5, pp.174~189 (2001)
- Dubrow, Heather, "Shakespeare and Domestic Loss: Forms of Deprivation, Mourning, and Recuperation" (1999), Cambridge UP
- Euripides. Hecuba, "The Complete Greek Tragedies: Euripides III" (1958), U of Chicago P
- Freud, Sigmund, "The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 14" (1957), Hogarth Press
- Goodland, Katharine, "‘Obsequious Laments’: Mourning and Communal memory in Shakespeare’s Richard III", Religion and the Arts, 7(1–2), pp.31~64 (2002)
- Greenblatt, Stephen, "Tyrant: Shakespeare on Politics" (2018), W. W. Norton
- Heywood, Thomas, "The First and Second Parts of King Edward IV" (2005), Manchester UP
- Higginbotham, Jennifer, "Finding Margaret (Pole) in Shakespeare’s Richard III", Sixteenth Century Journal, 48(3), pp.615~635 (2017)
- Howard, Jean E., "Engendering a Nation: A Feminist Account of Shakespeare’s English Histories" (1997), Routledge
- Lemon, Rebecca, "King Richard III: Language and Writing" (2018), Bloomsbury
- Levine, Nina, "‘Accursed Womb, the Bed of Death’: Women and the Succession in Richard III", Renaissance Papers, pp.17~27 (1992)
- Loraux, Nicole, "Mothers in Mourning" (1998), Cornell UP
- Luckyj, Christina, "The Politics of Female Alliance in Early Modern England", pp.1~12 (2017), U of Nebraska P
- MacFaul, Tom, "Male Friendship in Shakespeare and His Contemporaries" (2007), Cambridge UP
- McIvor, David W., "Bringing Ourselves to Grief: Butler and the Politics of Mourning", Political Theory, 40(4), pp.409~436 (2012)
- Miner, Madonne M., "The Woman’s Part: Feminist Criticism of Shakespeare" (1983), U of Illinois P
- Origgi, Gloria, "Reputation: What It Is and What It Means" (2018), Princeton UP
- Phillippy, Patricia, "Women, Death and Literature in Post-Reformation England" (2002), Cambridge UP
- Pollard, Tanya, "Greek Tragic Women on Shakespearean Stages" (2017), Oxford UP
- Pollard, Tanya, "What’s Hecuba to Shakespeare?", Renaissance Quarterly, 65(4), pp.1060~1093 (2012)
- Rackin, Phyllis, "Anti-Historians: Women’s Roles in Shakespeare’s Histories", Theatre Journal, 37(3), pp.329~344 (1985)
- Schiesari, Juliana, "The Gendering of Melancholia: Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature" (1992), Cornell UP
- Shakespeare, William, "Cymbeline" (2005), Cambridge UP
- Shakespeare, William, "Hamlet, Prince of Denmark" (2003), Cambridge UP
- Shakespeare, William, "King Richard III" (2009), Cambridge UP
- "The Hollow Crown: The Wars of the Roses", Directed by Rupert Goold et al., BBC, ~ (2012)
- Trevor, Douglas, "The Poetics of Melancholy in Early Modern England" (2004), Cambridge UP
- Weil, Judith, "The Female Tragic Hero in English Renaissance Drama", pp.51~69 (2002), Palgrave
- Whittington, Leah, "Renaissance Suppliants: Poetry, Antiquity, Reconciliation" (2016), Oxford UP
