리브레토 작가 무소륵스키와 『호반시나』에 새겨진 ‘분열’의 시간
Mussorgsky as Librettist: The Time of ‘Schism,’ Inscribed in Khovanshchina
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Mussorgsky is an artist of strong belief and aspiration. He aspired to be a reformist-artist who denies established formulas and had the obsessive-compulsive belief to tell people new things, words that resonate with the truth. This paper studies Khovanshchina as a result of that belief. Creating Khovanshchina, a historical opera about the transition from medieval Moscow to modern Russia, Mussorgsky wanted musical representation of individual and crowd in detail as in the paintings of Repin or Surikov. He thought that not only individual people but also the crowd has individuality and he wanted to create people’s drama. And to do so, he plunged deeply into the world of Moscow, the belief of Old-believers of the second half of the 17th century. This study focuses on Khovanshchina as an opera that tells a lot about the aspirations of the era of populism itself, paying attention to the fact that it is a work that imprints the schism of Mussorgsky and his era as well as the ‘Schism’(Raskol) as the leitmotif in Khovanshchina.
Abstract
Mussorgsky is an artist of strong belief and aspiration. He aspired to be a reformist-artist who denies established formulas and had the obsessive-compulsive belief to tell people new things, words that resonate with the truth. This paper studies Khovanshchina as a result of that belief. Creating Khovanshchina, a historical opera about the transition from medieval Moscow to modern Russia, Mussorgsky wanted musical representation of individual and crowd in detail as in the paintings of Repin or Surikov. He thought that not only individual people but also the crowd has individuality and he wanted to create people’s drama. And to do so, he plunged deeply into the world of Moscow, the belief of Old-believers of the second half of the 17th century. This study focuses on Khovanshchina as an opera that tells a lot about the aspirations of the era of populism itself, paying attention to the fact that it is a work that imprints the schism of Mussorgsky and his era as well as the ‘Schism’(Raskol) as the leitmotif in Khovanshchina.
참고문헌 (21)
- 그라우트, J. 제임스, "서양 음악사(하)" (2013), 이앤비플러스
- 랴자놉스키, 니콜라스 V., "러시아의 역사" (2011), 까치
- 로트만, M. 유리, "러시아 문화에 관한 담론(1)" (2011), 나남
- 벌린, 이사야, "러시아 사상가" (2008), 생각의 나무
- 빌링턴, 제임스, "이콘과 도끼(2, 3)" (2015), 한국문화사
- 스트라빈스키, 이고르, "나의 생애와 음악" (1990), 知文社
- 스트라빈스키, 이고르, "음악의 시학" (2015), 민음사
- 이인영, "아바쿰: 러시아 문화사적 측면에서 본 생애전" (1991), 서울대학교출판부
- 플라토노프, S., "러시아사 강의" (2009), 나남
- 플로롭스키, 게오르기, "러시아 신학의 여정 I" (2016), 지식을 만드는 지식
- 휴스, 린지, "표트르 대제, 그의 삶, 시대, 유산" (2017), 모노그래프
- Мусоргский, Модест Петрович, "Народные музыкальные драмы. Избранные стихи и письма" (2018), Издательский проект"Quadrivium"
- Мусоргский, Модест Петрович, "Литературное наследие. Письма. Биографические материалы и документы" (1971), Изд. Музыка
- Стасов, В. В., "Избранные сочинения в 3-х томах, Т. 3" (1952), Искусство
- Федякин, С. Мусоргский, "Жизнь замечательных людей" (2009), Молодая гвардия
- Emerson, Caryl, "Arthur Groos and Roger Parker", pp.235~267 (1988), Princeton University Press
- Emerson, Caryl, "The Life of Musorgsky" (1999), Cambridge University Press
- Gasparov, Boris, "Five Operas and a Symphony. Word and Music in Russian Culture", pp.95~131 (2005), Yale University Press
- Lonyear, Rey M., "Nineteenth-century Romanticism in Music" (1988), Prentice hall
- Mussorgsky, Modest, "Khovanshchina" (2011), Overture
- Taruskin, Richard, "Musorgsky. Eight Essays and an Epilogue" (1993), Princeton University Press