노천명시에 나타나는 고독의 변모 양상

Abstract

In this study on the poetess of Roh Cheonmyeong, writer selfperception as means of salvation from her ordinary life which was delicate and temperate, and her self-honored life within a male chauvinistic society could not be restrained. Therefore she became to shoulder a burden of self as a writer and further embrace consciousness of resistance against the eyes glued to the other side that has always been centered around. All the things above had a sort of negative influence on her emotion only to put her behind the bars of loneliness. Solitude as shown in Roh Cheonmyeong’s poems comes to being narcissistic loneliness resulted from the lack of writer selfawareness and self concept, and lonesomeness and ultimately death due to her physical pain. The purpose of this study is as well to closely examine how molting out of solitude led to transcendence toward the other side. Existential solitude after modern era means the process which the subject undergoes and establishes self-existence as a main body. In this study, however, it means that the subject that is an etant or existant as to Rho cheonmyeong’s solitude inevitably contains existence inside my being. Then the subject seizures the present flow of existence to be fettered inside self by stand-alone,which means the subjective existenz manages to overcome weight caused by belonging to the self. Solitude from Roh Cheonmyeong has rather been consistently discussed until now. By being dealt in terms of material, its limit has been reached because it appeals to a superficial thing or is not raised as a whole. Transfiguration of Roh Cheonmyeong’s solitude has been studied throughout her poems while accepting the outcome of the precedent studies and rejecting the previously mentioned limit. In this context, chapter II examines the formation procedures of her solitude and its meaning. A type of solitude shown in the Roh Cheonmyeong’s poems hereto is built from dearth. Solitude in this perspective comes from sexual identity,disorder, earthly excuse, and writer self-perception. It reveals duplicity in self and dissatisfaction so that the subject is shut in tragedy of solitude while not being incorporated with another. In chapter III is closely examined the one, that is narcissistic solitude due to deficiency by ironic means of melancholy and depression. The other to be investigated is solitude and death resulting from her physical pain. At this point, fear for loneliness and death that comes from her biographic facts, compulsory labor and parents'death in her early life falls on her poems. Death is generally located outside cognition so that you may not discuss it in death status. Through the perspective of poetic consciousness, however, assume that Roh Cheonmyeong’s concept of death could bear obsessive compulsive disorder due to very long-time physical pain, then the subject caught up with such disorder cannot but escape from solitude and move forward into the others by means of Lebenstriebe linked with Todestriebe. Hereby the others lock solitude in as known in Roh Cheonmyeong’s poems, and Lebenstriebe within self makes it welcome and greet another to eventually make progress toward the others. Chapter IV makes a close inquiry into transcendence as escape from solitude. It means transition from one mode of being to another and also from survival in the restricted space to mode of being in the unrestricted space, which means transition from dimensions of consciousness to trust in god which belongs to dimensions of cognition. Then in the history of human beings Divine Providence comes true through in awe of the others. The others exist in such the forms as leaves,wave on a lake, stranger’s face, etc. These purified faces of the others connect to the thing that ‘gets to something’ that transfers ethics order so as to indicate ‘resurrection of their consciousnesses’. The significance of Roh Cheonmyeong’s solitude themed literature consists in that Roh Cheonmyeong's relationship with the others has not continued its flow but again she made her way toward them by way of psychological rebirth. It means a scapegoat for her solitude and the scapegoat just shaped her agape type of literature philosophy. For agape philosophy of her literature it is meaningful that Divine Providence acts in the others’ faces as man's love for God. Roh Cheonmyeong’s solitude makes her agape philosophy of literature happen through awe of the others, which means that Roh Cheonmyeong’s poetic consciousnesses of solitude and transcendence have escaped both the past writer selfperception and worldly awareness of solitude to enter the realm of truth which is ethic and moral restoration.