Toward an Authentic Spiritual Subjectivity: Reflections on Rahner’s Theological Transcendental Anthropology
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This article explores Rahner’s transcendental theological anthropology, with a special focus on his conception of “spiritual subjectivity.” This exploration proceeds in three phases. The first involves the examination of how Rahner could sublate the modern, particularly Kantian, idea of the transcendental method into his transcendental theological anthropology. The second concerns the main argument, that Rahner’s transcendental theological anthropology is characterized by his rich notion of “spirituality” of the human subject that includes the three moments of transcendence, freedom, and historicity in their dialectical relations. That is, Rahnerian spiritual subjectivity is a priori transcending, free, and historical movement toward the absolute universality of God as the holy mystery. And the third deals with my brief remarks on the relevance of Rahnerian spiritual subjectivity in the contemporary context of globalization, particularly the postmodern context of the death of the subject.
Abstract
This article explores Rahner’s transcendental theological anthropology, with a special focus on his conception of “spiritual subjectivity.” This exploration proceeds in three phases. The first involves the examination of how Rahner could sublate the modern, particularly Kantian, idea of the transcendental method into his transcendental theological anthropology. The second concerns the main argument, that Rahner’s transcendental theological anthropology is characterized by his rich notion of “spirituality” of the human subject that includes the three moments of transcendence, freedom, and historicity in their dialectical relations. That is, Rahnerian spiritual subjectivity is a priori transcending, free, and historical movement toward the absolute universality of God as the holy mystery. And the third deals with my brief remarks on the relevance of Rahnerian spiritual subjectivity in the contemporary context of globalization, particularly the postmodern context of the death of the subject.
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