溫庭筠 「菩薩蠻」詞 14首에 대한 詞語 연구

Abstract

This article intends to research and understand the application used 14 poems of 「Pu Sa Man(菩薩蠻)」 among Wen-Ting-Yun-Ci(溫庭筠詞). For this one, we have examined the writer, Wen-Ting-Yun(溫庭筠) and the nameplate of 「Pu Sa Man」 first, classified the words of the senses showing the touch as well as sight and hearing and the things words expressing matters, scenery or natural objects related and used for the protagonist and then considered how to use and express these words on the works. Besides, we have studied the intention and the works which the writer wanted to describe by these poetic words. The reasons we have chosen Wen-Ting-Yun are the following. First, he was the original professional poet creating Ci(詞) and the preliminary writer leaving collected poems for the first time in the history of Chinese literature. The second, he created the most poems in the late Tang dynasty and contributed towards settling down Ci as one of the literary styles. The third, he invented the melodies in person because he had exceptional musical talent. The last, he invented Hua-Jian-Ci-Feng and the representative poet of 『Hua-Jian-Ji(花間集)』. There were 66 articles of his works in the beginning of 『Hua-Jian-Ji』, which was the most works in it. 「Pu-Sa-Man」 occupied 14 articles among those and commands a large majority comparing with other nameplates. We have noted that 「Pu-Sa-Man」 was prevalent among the common people first and then this became the well beloved nameplate by so many writers as well as Wen-Ting-Yun in Tang and Song dynasty after XuanZong(宣宗) in Tang dynasty was very fond of singing it, and purposed to study the rhetorical values focusing on poetic words frequently used in 14 articles of his 「Pu-Sa-Man」. Consequently, we have understood that there was almost no direct expression in Wen-Ting-Yun-Ci, the nearly majority used the various poetic words and it showed the metaphorical and connotative meaning rather than the immediate emotional expression.