고구려와 중국 하서지역의 고분벽화 비교와 문화 교류

Abstract

In this study, Goguryeo tomb murals and murals of the Wei and Jin Dynasties in Hexi , were compared by surveying and statistical methods, and their correlation, succession, and differences were explored. Based on this, the historical value and meaning of the mural were confirmed. The records of Goguryeo and the social life and communication of people in the Hexi area are relatively brief. At the same time, the discovery of tomb murals makes up for the lack of historical records. From the perspective of cultural origin, the tomb culture of the Goguryeo and Hexi areas are influenced by the Central Plains' culture, with many similarities. Still, there are apparent differences in the shape and system of the tombs. Currently, the academic circle discussing the two places is relatively weak. The murals of ancient Goguryeo tombs are known as the "treasure house of Northeast Asian art," which truly reflects the real life and spiritual world of Goguryeo people in the 4th and 7th centuries. They have a history of more than 100 years since their discovery and have attracted much attention from the academic circle because of their gorgeous content and exquisite techniques. The mural's content is highly reproduced in the Goguryeo royal and noble home, banquet, singing and dancing, drama, travel, and other social life. The murals of the Wei and Jin Dynasties are distributed in the Hexi Corridor in the northwest Gansu Province, China. They are known as the "underground gallery." They have gradually accumulated rich materials since their discovery in 1944. The mural tombs of the Wei and Jin dynasties in the Hexi area not only inherited the custom of thick burial in the Qin and Han dynasties, but also opened the revival of the thick burial culture in the Sui and Tang Dynasties, which is an important part of the ancient Chinese tomb art. It can be seen that both the Goguryeo mural tombs and the Wei ＆ Jin mural tombs in Hexi were influenced by the tomb culture of the Han Dynasty, thus forming solid local characteristics, which is an essential embodiment of the spread of the Han culture in the border areas. The famous mural themes in the late Goguryeo mural tombs and the murals in which the Buddha fairy coexist are similar to the early Mogao Grottoes, which were directly influenced by the "Liangzhou mode" of Hexi Grottoes.