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The Dancing Princess Choi Seung-hee (SAI SHOKI) from the Peninsula in Mexico

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When I first looked through the records of Korean immigrants on the foreigner register in Mexico in 1989, a photo attracted my attention of a flapper-haired, smiling, beautiful woman who stood out among the others. She was Sai Shoki, a famed dancer who performed in Mexico City in October, 1940. When I met Judy Van Zile, professor of University of Hawaii in Puerto España in the summer of 2000, the professor told me that her study on Korean dance was nearly completed. Her study looked into the performance tour in America by Choi Seung-hee(Shoki’s Korean name)and included articles on her Bogota performance. That led me to the presentation of this study in which I was to give details about Shoki’s dance career, records on her Mexico performance, and her political position on her nation’s independence movement, which drove her to move to North Korea and continue her career there. The appendix contains related photos.

Abstract

When I first looked through the records of Korean immigrants on the foreigner register in Mexico in 1989, a photo attracted my attention of a flapper-haired, smiling, beautiful woman who stood out among the others. She was Sai Shoki, a famed dancer who performed in Mexico City in October, 1940. When I met Judy Van Zile, professor of University of Hawaii in Puerto España in the summer of 2000, the professor told me that her study on Korean dance was nearly completed. Her study looked into the performance tour in America by Choi Seung-hee(Shoki’s Korean name)and included articles on her Bogota performance. That led me to the presentation of this study in which I was to give details about Shoki’s dance career, records on her Mexico performance, and her political position on her nation’s independence movement, which drove her to move to North Korea and continue her career there. The appendix contains related photos.

참고문헌 (21)

  1. Anonymous, "Sai Syoki", Nippon magazine, (26), pp.44~45 (1941)
  2. Anonymous, "Hoy debut de Sai Shoki en Bellas Artes. Excélsior. Ciudad de México, October 23. Segunda Sección:3", ~ (1940)
  3. Atkins E. Taylor, "Primitive Selves. Koreana in the Japanese Colonial Gaze 1910-1945" (2010), University of California Press
  4. Brown, Kendall H., "Taisho Chic. Catalog of the Exhibition Japanese Modernity, Nostalgia and Deco", pp.17~29 (2001), Honolulu Academy of Arts
  5. Caprio Mark. E., "Japanese Assimilation Policies in Colonial Korea 1910-1940" (2009), University of Washington Press
  6. Dallal, Alberto, (1994), Consejo Nacional para la Cultura y las Artes
  7. Dube, Saurabh, (2011), El Colegio de Mexico
  8. Echeverria, Bolivar, (2009), UNAM
  9. Echeverria, Bolivar, (2006), Editorial Era
  10. "El Universal", 1940
  11. "Paper presented at XIII Congreso Internacional de ALADAA in Bogota", 2011, ~
  12. Suzuki, Shogo, "Civilization and Empire. China and the Japan’s Encounter with European International. Society" (2009), Routledge
  13. Tibol, Raquel, (1982), Difusión Cultural, UNAM
  14. Tortajada, Margarita Quiroz, (1995), Instituto Nacional de Bellas Artes
  15. Tortajada, Margarita Quiroz, (2001), Consejo Nacional para la Cultura y las Artes
  16. Van Zile, Judy, "Perspectives on Korean Dance" (2001), Wesleyan University Press
  17. "Revista Asi", 1940
  18. Margarita Tortajada Quiroz., , pp.59~61 (2010), Instituto Nacional de Bellas Artes
  19. Yoshida, Yoshihiko, "Modernity and Japanese Dance. The Dawn of Western Dance", Dance-Ballet Review, 1 (2011)

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