통일주제 북한영화의 변화: <우물집 녀인> 읽기

Abstract

It is divided film genre into revolution, unification, socialist realism genre in North Korea. A unification genre implied subject which is relevant a division or unification. It is presented that a change of unification genre came out at <a woman at house with a well> which film was made after 6.15 South-North declaration. This film represented a matter of inner trauma came by a division in North Korea society. It is presented a narrative of North Korea film that recurred conflict/coordination and private story/community story but all troubles is astringent community coordination after all. Notwithstanding a pattern of North Korean story, this film show up internal disruption, class split in North Korea society that is distinguished the rest unification film which is put blame on outside, America or South Korea. This film refer two matters which was restricted from party. One is class at inner society and the other is sexuality. It had controled contents that is made an inspection from party. But it is represented differently that class conflict present on narrative surface but conceal through meet Kim Il-Sung suryung in the end. On the other hand sexuality hide narrative but come out through love of two major characters. It is a narrative strategy which is called show/hide and conceal/confess. If we could read thus narrative strategy, this film is put an construction vary connotation.