"천안흥타령춤축제 2011" 관람객의 참여 분석을 통한 무용장르의 대중화 방안 연구
The method to popularize dance genre through analyzing the audience attending to "Cheonan World Dance Festival 2011"
0
조회
0
다운로드
6
인용
0
참고문헌
키워드
초록
The purpose of this research is to find the way to popularize dance genre through analyzing the audience who attended to the five important festivals of "Cheonan World Dance Festival 2011" such as ‘Dance Competition’, ‘Street Parade’, ‘International Fork Dance Contest ,’ which are the main events and the sub-event, ‘Chum Nanjang’. This festival took place for 6 days from 2011. 09. 28(wed) ~ 10. 03(mon) throughout the whole area in Cheonan city. In this research I classified the audience who attended to "Cheonan World Dance Festival 2011" by sex, age, and profession. By analyzing tendency of their past experience in festivals and its numbers of attending, a positive way of thinking against dance was derived. Also, based on the result of this analysis, I intend to deliver the method to popularize dance through this kind of festival. The results are as follows. First, in the analysis through sex of the audience female attended much more than male did and the gap was wide. For 'Chum Nanjang', which is more "participating" program, the gap between two sexes were very narrow. As showed, it is need that participating style programs, such as couple dance, flash mob, or line dance, which more male can participate and enjoy, be produced more. Second, it is needed the programs be targeted and custom made based on ages and professions of audience. More detail plan should be accomplished not only on participating type programs but also competition viewing ones. Third, the non-attendance rate was high as 60% except the main event ‘Dance Competition’. This happens because programs with popular code are not well developed and it means that organically working dance genre programs where people want to stay and enjoy should be continually developed. In 2011, through my precedence research, although it has been shown that "Cheonan World Dance Festival’" dance genre settled down as a local brand, it is not enough to be a content that ordinary people can access easily and enjoy comfortably. As dance genre is a comprehensive art form, it offers versatile amusement such as dancing and music. It has been proved by many researches that dance is a positive medium content that can be successful at the local festivals. If a few practical ways are established, as taking place successful festivals, it is not impossible to make dance genre popular.
Abstract
The purpose of this research is to find the way to popularize dance genre through analyzing the audience who attended to the five important festivals of "Cheonan World Dance Festival 2011" such as ‘Dance Competition’, ‘Street Parade’, ‘International Fork Dance Contest ,’ which are the main events and the sub-event, ‘Chum Nanjang’. This festival took place for 6 days from 2011. 09. 28(wed) ~ 10. 03(mon) throughout the whole area in Cheonan city. In this research I classified the audience who attended to "Cheonan World Dance Festival 2011" by sex, age, and profession. By analyzing tendency of their past experience in festivals and its numbers of attending, a positive way of thinking against dance was derived. Also, based on the result of this analysis, I intend to deliver the method to popularize dance through this kind of festival. The results are as follows. First, in the analysis through sex of the audience female attended much more than male did and the gap was wide. For 'Chum Nanjang', which is more "participating" program, the gap between two sexes were very narrow. As showed, it is need that participating style programs, such as couple dance, flash mob, or line dance, which more male can participate and enjoy, be produced more. Second, it is needed the programs be targeted and custom made based on ages and professions of audience. More detail plan should be accomplished not only on participating type programs but also competition viewing ones. Third, the non-attendance rate was high as 60% except the main event ‘Dance Competition’. This happens because programs with popular code are not well developed and it means that organically working dance genre programs where people want to stay and enjoy should be continually developed. In 2011, through my precedence research, although it has been shown that "Cheonan World Dance Festival’" dance genre settled down as a local brand, it is not enough to be a content that ordinary people can access easily and enjoy comfortably. As dance genre is a comprehensive art form, it offers versatile amusement such as dancing and music. It has been proved by many researches that dance is a positive medium content that can be successful at the local festivals. If a few practical ways are established, as taking place successful festivals, it is not impossible to make dance genre popular.
참고문헌 (8)
- 한국지역축제 조사평가 및 개선방안 연구 II, "문화관광부", 문화관광부, ~ (2006)
- 조남규, "‘천안흥타령춤축제’를 통해 본 무용장르를 활용한 지역브랜드 확립에 관한 연구", 한국무용과학회지, (26), pp.69~85 (2012), 한국무용과학회
- 권욱동, "무용공연의 효율적 기획을 위한 마케팅 전략", 무용예술학연구, 15(15), pp.99~121 (2005), 한국무용예술학회
- 천안흥타령축제 2007 평가보고서, "천안시", ~ (2007)
- 천안흥타령축제 2008 평가보고서, "천안시", ~ (2008)
- 천안흥타령축제 2010 평가보고서, "천안시", ~ (2010)
- 한양명, "요사코이소란마츠리를 통해 본지역축제의 성공요인", 비교민속학, (28), pp.458~485 (2005), 비교민속학회
- 홍승덕, "지역 축제에서 청소년 참여 활성화 방안 연구 : 2007 천안 흥타령 축제를 중심으로", 석사, pp.2008
