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미메시스적 관점에서의 웹 기반 무대 공연 실증 플랫폼 프로토타입 연구

A Web-Based Prototype Platform for Stage Performance Simulation Using a Mimetic Approach

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초록

This study aims to reinterpret the concept of mimesis within a digital context and propose a prototype design for a web-based performance simulation platform. The proposed platform is designed to enable stage directors to pre-visualize elements such as stage setup, actor movements, sound, and lighting within a virtual environment, thereby enhancing the efficiency and creativity of performance planning. The prototype was designed to enable interaction among performance elements by incorporating 3D modeling of a proscenium stage, integrating motion-capture-based FBX data, and utilizing timeline-based control. Furthermore, it features a real-time 3D rendering architecture leveraging Three.js and WebGL, allowing it to run seamlessly in a web browser without additional plugins. This research is significant as it establishes a conceptual foundation demonstrating the potential for integrating performing arts with digital technology. Future research should involve practical implementation and field validation to confirm its real-world utility.

Abstract

This study aims to reinterpret the concept of mimesis within a digital context and propose a prototype design for a web-based performance simulation platform. The proposed platform is designed to enable stage directors to pre-visualize elements such as stage setup, actor movements, sound, and lighting within a virtual environment, thereby enhancing the efficiency and creativity of performance planning. The prototype was designed to enable interaction among performance elements by incorporating 3D modeling of a proscenium stage, integrating motion-capture-based FBX data, and utilizing timeline-based control. Furthermore, it features a real-time 3D rendering architecture leveraging Three.js and WebGL, allowing it to run seamlessly in a web browser without additional plugins. This research is significant as it establishes a conceptual foundation demonstrating the potential for integrating performing arts with digital technology. Future research should involve practical implementation and field validation to confirm its real-world utility.

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