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무용공연에서의 드라마투르기(Dramaturgy)의 역할과 의미

Study on the Role and the Significance of Dramaturgy in Dance Performance

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초록

This research aimed at searching for the role of dramaturgy in dance performance and verification of value thereof, and suggesting choreographer's broadened work method through dramaturgy based on the researcher's actual experience. Above all, the researcher arranged the concept of dramaturgy through literature research in order to search for the role and the significance of dramaturgy in modern dance performance, and investigated the participation cases in domestic and overseas through choreographers' interview, program, website news, etc., in order to seek the role and application plan of dramaturgy in dance performance. As the result, it was considered that the role of dramaturgy had enough possibility to exert its influence over the creator, accepter, and the whole work, on characteristic of dance genre, also, the value to thoughtfully draw choreographers' theme and function as the pivot of the work was verified.

Abstract

This research aimed at searching for the role of dramaturgy in dance performance and verification of value thereof, and suggesting choreographer's broadened work method through dramaturgy based on the researcher's actual experience. Above all, the researcher arranged the concept of dramaturgy through literature research in order to search for the role and the significance of dramaturgy in modern dance performance, and investigated the participation cases in domestic and overseas through choreographers' interview, program, website news, etc., in order to seek the role and application plan of dramaturgy in dance performance. As the result, it was considered that the role of dramaturgy had enough possibility to exert its influence over the creator, accepter, and the whole work, on characteristic of dance genre, also, the value to thoughtfully draw choreographers' theme and function as the pivot of the work was verified.

참고문헌 (15)

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  3. 김미희, "드라마터지 역할 연구 : 유럽의 드라마트그를 중심으로", 한국예술종합학교논문집, 4, pp.89~118 (2001)
  4. 김옥란, "한국연극과 드라마투르그의 역할과 위치 —프로덕션 드라마투르그 개념을 중심으로—", 드라마 연구, (39), pp.41~79 (2013), 한국드라마학회
  5. 김효, "탄츠테아터의 연극성 연구", 대한무용학회 논문집, 52(52), pp.91~108 (2007), 대한무용학회
  6. 이인순, "드라마투르그의 역할과 의미", 공연과 이론, 30, pp.130~138 (2008)
  7. 최영주, "수행적 드라마투르기와 창조적 드라마투르그", 연극교육연구, 22(22), pp.299~338 (2013), 한국연극교육학회
  8. 허순자, "독일 및 영·미 연극에서의 드라마투르기 발전", 연극교육연구, 12, pp.211~242 (2006)
  9. 파비스, "드라마투르기와 포스트드라마투르기", 드라마 연구, (43), pp.195~208 (2014), 한국드라마학회
  10. 강일중, "현대무용계의 드라마투르그 바람", 한팩뷰 (11월), 54~57 (2013)
  11. "현대무용 「11분」" (2013)[URL]
  12. "가이 쿨스" (2013)[URL]
  13. "댄스랩" (2014)[URL]
  14. "개면무용에 입각한 재해석의 문제" (2013)[URL]
  15. "Akram Khan Company’s dramaturg wins Kenneth Tynan Award" (2012)[URL]

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