본문 바로가기
KERD
논문KCI 등재

화자의 역할 및 활용: 『주홍글자』 원작과 하우저의 각색 작 비교

The Role and Use of a Narrator: A Comparison between Hawthorne’s The Scarlet Letter and Hauser’s Drama Version

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류영어와문학

초록

The spirit of Hawthorne’s The Scarlet Letter lies in conveying the themes of sin, forgiveness, and redemption through its creative use of ‘romance,’ in which a narrator plays a major role. First, Hawthorne’s narrator assumes an ambivalent attitude, providing multiple explanations, which thereby leads readers to think differently and forgive even sinners. Secondly, Hawthorne’s narrator portrays the psychology of characters and their change, securing inner causality. In contrast, Hauser’s ‘voice-over’ in the PBS drama version, which seems very faithful to Hawthorne’s novel, does not have such roles. The narrator’s ambiguities in Hawthorne’s work are omitted to make a simple, realistic melodrama—a tragic love story of betrayal and revenge. The narrator’s critical attitude towards Hester in the original text is changed to favorably characterize Hester as a feminist and to criticize Puritan patriarchal society itself. Inner causality in the characters’ change is overlooked as well. These changes in the role and use of the narrator in Hauser’s version result in its failure to capture the essence of the source text. The comparison between Hawthorne’s The Scarlet Letter and Hauser’s drama version illuminates the original work’s essence and the crucial role of a narrator in conveying it.

Abstract

The spirit of Hawthorne’s The Scarlet Letter lies in conveying the themes of sin, forgiveness, and redemption through its creative use of ‘romance,’ in which a narrator plays a major role. First, Hawthorne’s narrator assumes an ambivalent attitude, providing multiple explanations, which thereby leads readers to think differently and forgive even sinners. Secondly, Hawthorne’s narrator portrays the psychology of characters and their change, securing inner causality. In contrast, Hauser’s ‘voice-over’ in the PBS drama version, which seems very faithful to Hawthorne’s novel, does not have such roles. The narrator’s ambiguities in Hawthorne’s work are omitted to make a simple, realistic melodrama—a tragic love story of betrayal and revenge. The narrator’s critical attitude towards Hester in the original text is changed to favorably characterize Hester as a feminist and to criticize Puritan patriarchal society itself. Inner causality in the characters’ change is overlooked as well. These changes in the role and use of the narrator in Hauser’s version result in its failure to capture the essence of the source text. The comparison between Hawthorne’s The Scarlet Letter and Hauser’s drama version illuminates the original work’s essence and the crucial role of a narrator in conveying it.

참고문헌 (23)

  1. 고영란, "호손의 ‘로맨스’ 활용과 그 성과: 『주홍글자』 연구", 근대영미소설, 23(1), pp.23~48 (2016), 한국근대영미소설학회
  2. 이향만, "영화로 읽는 미국소설 5: 주홍글자" (2001), 동인
  3. Baker, Larry, "The PBS Scarlet Letter: Showing Versus Telling", Nathaniel Hawthorne Journal, 8, pp.219~229 (1978)
  4. Barlowe, Jamie, "The Scarlet Mob of Scribblers : Rereading Hester Prynne" (2000), Southern Illinois UP
  5. Baym, Nina, "The Scarlet Letter", pp.402~407 (1988), Norton
  6. Bercovitch, Sacva, "The A-Politics of Ambiguity in The Scarlet Letter", History, Critics, and Criticism: Some Inquiries, 19(3), pp.629~654 (1988)
  7. Davidson, Edward H., "Twentieth Century Interpretations of The Scarlet Letter: A Collection of Critical Essays", pp.82~92 (1968), Prentice-Hall
  8. Dunne, Michael, "Intertextual Encounters in American Fiction, Film, and Popular Culture" (2001), Bowling Green State U Popular P
  9. Gelman, David, "Masterpiece of Our Own", Newsweek, ~ (1979)
  10. Hansen, Elaine Tuttle, "Ambiguity and the Narrator in The Scarlet Letter", Journal of Narrative Technique, 5, pp.147~163 (1976)
  11. Hawthorne, Nathaniel, "The Scarlet Letter" (2014), 신아사
  12. Henry Ⅲ, William A., "‘Scarlet Letter’, scarlet faces", Boston Globe, 39~ (1979)
  13. Ingebretsen, Edward J., "The Columbia Companion to American History on Film", pp.3~9 (2004), Columbia UP
  14. McNamara, Anne M., "The Character of Flame: The Function of Pearl in The Scarlet Letter", American Literature, 27, pp.537~553 (1956)
  15. McWilliams, John P., "Hawthorne, Melville, and The American Character: A Looking Glass Business" (1984), Cambridge UP
  16. O’connor, John J., "TV: ‘The Scarlet Letter’ Begins on Channel 13", New York Times, ~ (1979)
  17. Österberg. Bertil O, "Colonial America on Film and Television : A Filmography" (2001), McFarland & Company, Inc. Publishers
  18. Prouty, Howard H., "Variety Television Reviews, 1923-1988" (1988), Garland
  19. Sapinsley, Alvin, "Teleplay The Scarlet Letter" (1979), WGBH
  20. Shales, Tom, "‘Scarlet Letter’: TV Takes on ‘A’ Moral", Washington Post, ~ (1979)
  21. Solmes, Jennifer Anne, "The Scarlet Letter: A Survey of the Tradition of The Scarlet Letter in Film and on Television, 1926-1995", pp.2001
  22. Stewart, Randall, "American Literature and Christian Doctrine" (1958), Louisiana State, UP
  23. Stubbs, John Caldwell, "The Scarlet Letter", pp.384~392 (1988), Norton

관련 논문AI추천

이 간행물의 다른 논문 (5건)