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“내 안의 여성”: 예이츠의 여성 다이몬

‘The Woman in Me’: W. B. Yeats’s Female Daimon

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Yeats’s interest in mysticism, spiritualism and occultism is closely interwoven with his conversation with timeless beings to get poetic inspiration in “Per Amica Silentia Lunae” and A Vision. These works reveal some of his literary and philosophical ideas. Yeats constructed his own unique inner world where he could acquire inspiration as a poet. The voice of wondrous inner sphere related to anti-self and daimon displays bisexual features as it got equipped with femininity in his later poems. A female voice resistant to the cultural absurdity in Ireland was born since the poet couldn’t express adequately with his own male utterances alone. Such a multilayered feminine mask reflects the inner search of the poet himself to supplement the universal masculinity. As the most multifaceted desiring woman of the poet’s own creating, sexually explicit, rough and defying Jane stood for the protest against the contemporary Irish Catholicism which revealed increasingly theocratic and totalitarian aspects. The Crazy Jane sequence was a poetic incarnation of a representative female daimon, “a woman in me” to raise the alarm to then Irish political and social aspects. Thus, the appearance of this poetic persona opened a possibility to advocate female rights and criticize too much coercion of strict social life from the authority in the newly independent Ireland in the late 1920s and early 1930s. Yeats’s female daimon in the guise of Crazy Jane acts as a figure of resistance against religious totalitarianism and moral rigorism by revealing rough sexuality, advocacy of female desire and sarcasm on the clergy.

Abstract

Yeats’s interest in mysticism, spiritualism and occultism is closely interwoven with his conversation with timeless beings to get poetic inspiration in “Per Amica Silentia Lunae” and A Vision. These works reveal some of his literary and philosophical ideas. Yeats constructed his own unique inner world where he could acquire inspiration as a poet. The voice of wondrous inner sphere related to anti-self and daimon displays bisexual features as it got equipped with femininity in his later poems. A female voice resistant to the cultural absurdity in Ireland was born since the poet couldn’t express adequately with his own male utterances alone. Such a multilayered feminine mask reflects the inner search of the poet himself to supplement the universal masculinity. As the most multifaceted desiring woman of the poet’s own creating, sexually explicit, rough and defying Jane stood for the protest against the contemporary Irish Catholicism which revealed increasingly theocratic and totalitarian aspects. The Crazy Jane sequence was a poetic incarnation of a representative female daimon, “a woman in me” to raise the alarm to then Irish political and social aspects. Thus, the appearance of this poetic persona opened a possibility to advocate female rights and criticize too much coercion of strict social life from the authority in the newly independent Ireland in the late 1920s and early 1930s. Yeats’s female daimon in the guise of Crazy Jane acts as a figure of resistance against religious totalitarianism and moral rigorism by revealing rough sexuality, advocacy of female desire and sarcasm on the clergy.

참고문헌 (23)

  1. Adams, Hazard, "The Book of Yeats’s Poems" (1990), Florida State UP
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  3. Cullingford, Elizabeth Butler, "Gender and History in Yeats’s Love Poetry" (1996), Syracuse UP
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  5. Ellmann, Richard, "Yeats : The Man and the Masks" (1979), Norton
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  8. Harper, George Mills, "A Critical Edition of Yeats’s A Vision(1925)" (1978), Macmillan
  9. Haswell, Jamis Tedesco, "Pressed against Divinity: W. B. Yeats’s Feminine Masks" (1997), Northern Illinois UP
  10. Hynes, Samuel, "All the Wild Witches: The Women in Yeats’s Poems", The Sewanee Review, 85(4), pp.565~582 (1977)
  11. Jeffares, A. Norman, "A New Commentary on the Poems of W. B. Yeats" (1984), Macmillan
  12. Moore, Virginia, "The Unicorn : William Butler Yeats’ Search for Reality" (1954), Macmillan
  13. Saddlemyer, Ann, "Poetry of Possession: Yeats and Crazy Jane", Yeats: An Annual of Critical and Textual Studies, 9, pp.136~158 (1991)
  14. Unterecker, John, "A Reader’s Guide to W. B. Yeats" (1982), Thames and Hudson
  15. Yeats, W. B., "Autobiographies" (1970), Macmillan
  16. Yeats, W. B., "The Collected Poems of William Butler Yeats" (1976), Macmillan
  17. Yeats, W. B., "The Collected Works of W. B. Yeats, Volume V: Later Essays" (1994), Charles Scribner’s Sons
  18. Yeats, W. B., "Explorations" (1962), Collier
  19. Yeats, W. B., "Letters of W. B. Yeats" (1955), Macmillan
  20. Yeats, W. B., "Letters on Poetry from W. B. Yeats to Dorothy Wellesley" (1940), Oxford UP
  21. Yeats, W. B., "Mythologies" (1959), Collier
  22. Yeats, W. B., "The Senate Speeches of W. B. Yeats" (1960), Indiana UP
  23. Yeats, W. B., "Uncollected Prose by W. B. Yeats. Vol. 1" (1970), Columbia UP

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