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Nostalgia in Grace Nichols’s Poems

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Born in Guyana, Grace Nichols moved to England in her late twenties. As a diasporic writer, she wrote poems that express nostalgia for home, a main theme for Caribbean writers in Britain. In “Like a Beacon,” the speaker residing in London is often trapped by the memory of home. The desire for tropical food reflects her longing for home. “Island Man” depicts a man, who lives in London yet hears the illusionary sounds of home. Struggling between the two worlds of dream and reality, he cannot but return to daily lives in the end. In “To My Coral Bones,” the speaker is identified with the Caribbean. In “Hurricane Hits England,” the storm that struck England revives the speaker’s memory of home in the past. The awakening and subsequent restoring of self-identity is reflected in the shift from the third person to first person narrative. Through the deconstruction of storm, she is emancipated and declares self-identity. Nichols’s nostalgia illustrates the trend in which Caribbean female writers pursue and represent self-identity.

Abstract

Born in Guyana, Grace Nichols moved to England in her late twenties. As a diasporic writer, she wrote poems that express nostalgia for home, a main theme for Caribbean writers in Britain. In “Like a Beacon,” the speaker residing in London is often trapped by the memory of home. The desire for tropical food reflects her longing for home. “Island Man” depicts a man, who lives in London yet hears the illusionary sounds of home. Struggling between the two worlds of dream and reality, he cannot but return to daily lives in the end. In “To My Coral Bones,” the speaker is identified with the Caribbean. In “Hurricane Hits England,” the storm that struck England revives the speaker’s memory of home in the past. The awakening and subsequent restoring of self-identity is reflected in the shift from the third person to first person narrative. Through the deconstruction of storm, she is emancipated and declares self-identity. Nichols’s nostalgia illustrates the trend in which Caribbean female writers pursue and represent self-identity.

참고문헌 (18)

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  7. Karade, Baba Ifa, "The Handbook of Yoruba Religious Concepts" (1994), Wiser Books
  8. López, Ana Bringas, "Representations of Black Omen in Grace Nichols’s Poetry: From Otherness to Empowerment", Revista Alicantina de Estudios Ingleses, 16, pp.6~47 (2003)
  9. Matthewman, Sasha, "Teaching Secondary English as If the Planet Matters" (2011), Routledge
  10. McLeod, John, "Postcolonial London: Rewriting the Metropolis" (2004), Routledge
  11. Nichols, Grace, "I have Crossed an Ocean" (2009), Blood Axe
  12. Nichols, Grace, "The Fat Black Woman’s Poems" (1984), Virago
  13. Nichols, Grace, "Six Women Poets", pp.31~33 (1992), Oxford UP
  14. Rubenstein, Roberta, "Home Matters: Longing and Belonging, Nostalgia and Mourning in Women’s Fiction" (2001), Palgrave
  15. Stein, Mark, "Black British Literature: Novels of Transformation" (2004), Ohio State UP
  16. Upstone, Sara, "Spatial Politics in the Postcolonial Novel" (2016), Routledge
  17. Walder, Dennis, "Postcolonial Nostalgias: Writing, Representation and Memory" (2011), Routledge
  18. Welsh, Sarah Lawson, "Grace Nichols" (2007), Northcote House Publishers

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