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A Journey Toward Self-Awareness and Restoration in No Telephone to Heaven

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This paper explores Michelle Cliff’s No Telephone to Heaven (1987) with a focus on the protagonist Clare Savage’s migratory journey and her attempt to restore and rebuild her self and homeland. A sequel to Abeng (1984), No Telephone to Heaven portrays the racially and economically divided condition of postcolonial Jamaica and its people through the theme of self-exploration via migration and reclaiming. This paper examines how the migration of Clare, a light-skinned Creole girl, departing from and returning to Jamaica through the U.S., England, and Europe affects her self-identification. The racial discrimination Clare and her parents encounter through dislocation brings about epiphanic moments in which all three must confront their choices of identification. For Clare, her realization of her Otherness outside of Jamaica leads to new self-awareness of identity as an ongoing holistic process; this, in turn, drives her ‘spiral’ return to Jamaica and subsequent participation in a guerilla group, an act of self-identification geared toward restoring and reclaiming Jamaica and Jamaican-ness.

Abstract

This paper explores Michelle Cliff’s No Telephone to Heaven (1987) with a focus on the protagonist Clare Savage’s migratory journey and her attempt to restore and rebuild her self and homeland. A sequel to Abeng (1984), No Telephone to Heaven portrays the racially and economically divided condition of postcolonial Jamaica and its people through the theme of self-exploration via migration and reclaiming. This paper examines how the migration of Clare, a light-skinned Creole girl, departing from and returning to Jamaica through the U.S., England, and Europe affects her self-identification. The racial discrimination Clare and her parents encounter through dislocation brings about epiphanic moments in which all three must confront their choices of identification. For Clare, her realization of her Otherness outside of Jamaica leads to new self-awareness of identity as an ongoing holistic process; this, in turn, drives her ‘spiral’ return to Jamaica and subsequent participation in a guerilla group, an act of self-identification geared toward restoring and reclaiming Jamaica and Jamaican-ness.

참고문헌 (17)

  1. Adisa, Opal Palmer, "Journey into Speech – A Writer Between Two Worlds: An Interview with Michelle Cliff", African American Review, 28(2), pp.273~281 (1994)
  2. Brice-Finch, Jacqueline, "Twentieth-Century Caribbean and Black African Writers: Third Series. Dictionary of Literary Biography Vol. 157" (1996), Gale Literature Resource Center
  3. Cliff, Michelle, "Abeng" (1984), The Crossing Press
  4. Cliff, Michelle, "Caliban’s Daughter: The Tempest and the Teapot", Frontiers: A Journal of Women Studies, 12(2), pp.36~51 (1991)
  5. Cliff, Michelle, "Caribbean Women Writers", pp.263~268 (1990), Calaloux Publications
  6. Cliff, Michelle, "The Land of Look Behind: Prose and Poetry" (1985), Firebrand Books
  7. Cliff, Michelle, "No Telephone to Heaven" (1996), Plume
  8. Davies, Carole Boyce, "Black Women, Writing and Identity: Migrations of the Subject" (1994), Routledge
  9. Edmonson, Belinda, "Race, Privilege, and the Politics of (Re)Writing History: An Analysis of the Novels of Michelle Cliff", Callaloo, 16(1), pp.180~191 (1993)
  10. Ellison, Ralph, "Invisible Man" (1995), Vintage
  11. Goldberg, Jonathan, "Tempest in the Caribbean" (2004), U. of Minnesota P
  12. Ilmonen, Kaisa, "Queer Rebellion in the Novels of Michelle Cliff: Intersectionality and Sexual Modernity" (2017), Cambridge Scholars Publisher
  13. Raiskin, Judith, "The Art of History: An Interview with Michelle Cliff", Kenyon Review, 15(1), pp.57~71 (1993)
  14. Schwartz, Meryl F., "An Interview with Michelle Cliff", Contemporary Literature, 34(4), pp.595~619 (1993)
  15. Strongman, Roberto, "Postmodern Development in Michelle Cliff’s No Telephone to Heaven and Esmeralda Santigo’s When I Was Puerto Rican", Journal of Caribbean Literatures, 4(3), pp.97~104 (2007)
  16. Tiffin, Helen, "Mirror and Mask: Colonial Motifs in the Novels of Jean Rhys", World Literature Written in English, 17, pp.328~341 (1978)
  17. Wald, Gayle, "Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture" (2000), Duke UP

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