2000년대 가부장적 가족 서사의 구조적 재인식: 김숨과 김이설의 작품들

Abstract

In the 2000s, the pathriarchy of Korean novels were either absent or haunted by the faliure of the Middle-class fantasy. Abolished by patriarchal families, daughters seek to overcome their irrational acts by faithfully reproducing their unreasonable violence against the helpless father. However, there were few worries that only a formality to sensationalize and highlight the perpetrators and the role of the vicitims, Various attempts have been made-such as to present a new family model or emphasize the identity of a daughter who has been liberated from the patriarchal family. But such attempts could not escape criticism of the designs of utopia-designed to be less feasible. The implication of the term “Stereotypical” in literature underestimates the irrationality of the patriarchy. But the faithful reproduction of facts enables the discovery of a literary reality, enabling real aquires to be persuasive. “Dogfight” and who abandoned by a capitalism society after being exploited in “Fools”. But Kim Sum isn't only suggest, makes them absence as physical or psychological, and then exposes to the real structure of the patriarchy family, which believed that they belived they were preserved. The absence of father, daughters couldn't being liberated, they recognize that they were found to have been involved in their own identities and complacency. The structure can be retained permanently through the replacement of roles. Even after the death of a violent patriarchal family, the patriarchal structure remains to be follwed by the next offender and the victim. such as the “Holes”. Kim ei-seul declares the attempts to discommon the inner circle of patriarchisms that demand mental rewards for householders and describe their attempts to make or break a family, and describe an alternative family of families in “Cold wave warning”. These attempts end up in momentary peace or failure, but they refuse to accept Compassion narrative for the patriarchs and sever emotional ties with them. Such a break will preoccupy the unilateral biases of the Compassion narrative. Kim ei-seul declares the Compassion narrative, and unburdes the sympathic reward which the Compassion narrative's goal-and then unburdes against that Compassion narrative with no commonsense or sympathy. The sympathical violence which performed pathriarchs reveal the contradictions between their impotence and patriarchal structure. The emotional relationship between family members has been severed, and only structures remain. The novel is the attempt to represent the unpossible things. The authors represent to discover the reality which in the facts. In these words, Kim Sum and Kim ei-seul's attempts is offered the re-cognition as the represent the Stereotypical facts in Patriarchy narrative.