효과적인 합창무용 안무와 지도방법 연구
A chorus dance choreography and teaching method
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Recently, our society has seen a sharp rise in foundation of new choruses and their activities with their founder and members increasingly more diversified than ever. At the same time, the role of chorus dance in chorus performance is increasingly expanding and stronger demand for chorus dance accordingly, which eventually leads to lack of professional chorus dance instructors. Despite these social calls for chorus dance in association with reinvigorated chorus boom, Korea suffers near absence of proper, full-fledged introduction, information material, and guideline due to lack of systematic approach toward it. Against this backdrop, I would like to introduce a part of choreography and instruction guidance of chorus dance based on my experience for the past 20 years. Chorus dance is one of the iconic genres that represent the convergence type culture and art and its proper understanding requires multidisciplinary knowledge covering music, stage arts and performance production and experiential field competencies. With this in mind, my paper is comprised of the followings. Ⅰ. Introduction, Ⅱ. Meaning and Role of Chorus Dance Ⅲ. Understanding of Chorus, Ⅳ. Understanding of Performance Environment Ⅴ. Effective Chorus Dance Choreography and Teaching Method Ⅵ. Conclusion I hope this study would be of any help for chorus instructors (conductor, teacher etc.) who have not professionally majored in dance to provide relevant students with education of chorus dance in an effective manner and also help junior students who major in dance in college enter the world of chorus dance as well. In addition, I hope chorus members will be able to better enjoy chorus activities while learning and experiencing synaesthetic expressions of chorus, which will be beneficial, convergence-oriented, experiential study that promotes mutual understanding and communications while enhancing the quality of life for individuals. I expect that chorus (sing-along and dance) as an integrative art that makes our society more beautiful will be more rejuvenated and disseminated nationwide.
Abstract
Recently, our society has seen a sharp rise in foundation of new choruses and their activities with their founder and members increasingly more diversified than ever. At the same time, the role of chorus dance in chorus performance is increasingly expanding and stronger demand for chorus dance accordingly, which eventually leads to lack of professional chorus dance instructors. Despite these social calls for chorus dance in association with reinvigorated chorus boom, Korea suffers near absence of proper, full-fledged introduction, information material, and guideline due to lack of systematic approach toward it. Against this backdrop, I would like to introduce a part of choreography and instruction guidance of chorus dance based on my experience for the past 20 years. Chorus dance is one of the iconic genres that represent the convergence type culture and art and its proper understanding requires multidisciplinary knowledge covering music, stage arts and performance production and experiential field competencies. With this in mind, my paper is comprised of the followings. Ⅰ. Introduction, Ⅱ. Meaning and Role of Chorus Dance Ⅲ. Understanding of Chorus, Ⅳ. Understanding of Performance Environment Ⅴ. Effective Chorus Dance Choreography and Teaching Method Ⅵ. Conclusion I hope this study would be of any help for chorus instructors (conductor, teacher etc.) who have not professionally majored in dance to provide relevant students with education of chorus dance in an effective manner and also help junior students who major in dance in college enter the world of chorus dance as well. In addition, I hope chorus members will be able to better enjoy chorus activities while learning and experiencing synaesthetic expressions of chorus, which will be beneficial, convergence-oriented, experiential study that promotes mutual understanding and communications while enhancing the quality of life for individuals. I expect that chorus (sing-along and dance) as an integrative art that makes our society more beautiful will be more rejuvenated and disseminated nationwide.
참고문헌 (6)
- 김경란, "아마추어 합창단의 효과적인 기초 훈련에 관한 연구 : 보컬 테크닉을 중심으로", 석사, 음악교육, pp.2008
- 김대훈, "어린이합창단 운영 및 개선방안에 관한 연구", 석사, 공연행정, pp.2009
- 김은혜, "등학교 합창단 활동이 청소년의 사회적 발달에 미치는 영향", 석사, pp.2014
- 김희철, "합창이야기" (2003), 비얀비출판사
- 안비화, "사회적 소통을 위한 합창무용교육", 한국무용교육학회지, 26(2), pp.19~33 (2015), 한국무용교육학회
- Kindler, Anna M, "Child Development in Art" (2007), National Art Education Association
