唐传奇≪虬髯客传≫与≪聂隐娘≫中的女侠形象比较分析
A Comparative Analysis of the female Chivalrous image in the Legend of the Tang Dynasty “Biography of the Qiu Ranke” and “Nie Yinniang”
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
In the legends of Tang Dynasty, the chivalrous novels that express the image of knights and chivalrous spirit represent the formal formation of Chinese martial arts novels. The most successful works of chivalrous novels in the Tang Dynasty are “Biography of the Qiu Ranke” and “Nie Yinniang”. This article compares and analyzes the two female chivalrous image of Hong Fu Nu and Nie Yin Niang, and examines their similarities and differences in the four aspects of identity background, marriage and love, characteristic advantages, and chivalrous spirit. Through analysis, we can find that: First of all, there is a huge difference in the identity backgrounds of Hong Fu Nu and Nie Yin Niang. However, no matter what the origin of the knight, the most attractive is the Chivalrous courage and spirit. Second, both Hong Fu Nu and Nie Yin Niang broke through barriers and constraints, bravely pursued marriage independence. However, “Biography of the Qiu Ranke” is more advanced than “Nie Yinniang”. Hong Fu Nu and Li Jing is a model of ideal love in people's minds. “Nie Yinniang” lacks emotional description. Nie Yin Niang chose her husband because of the mirror is very helpful. Third, Hong Fu Nu and Nie Yin Niang have their own advantages and specialties. This is Hong Fu Nu's beauty and Nie Yin Niang's superb martial arts. and the two items have also become the basic elements in shaping the female chivalrous image in later martial arts novels. Finally, the types of knights include not only Confucian knights who serve the country and make contributions, but also Taoist knights who don't care about fame and fortune and go back to seclusion. Hong Fu Nu and Nie Yin Niang are typical representatives of these two knights.
Abstract
In the legends of Tang Dynasty, the chivalrous novels that express the image of knights and chivalrous spirit represent the formal formation of Chinese martial arts novels. The most successful works of chivalrous novels in the Tang Dynasty are “Biography of the Qiu Ranke” and “Nie Yinniang”. This article compares and analyzes the two female chivalrous image of Hong Fu Nu and Nie Yin Niang, and examines their similarities and differences in the four aspects of identity background, marriage and love, characteristic advantages, and chivalrous spirit. Through analysis, we can find that: First of all, there is a huge difference in the identity backgrounds of Hong Fu Nu and Nie Yin Niang. However, no matter what the origin of the knight, the most attractive is the Chivalrous courage and spirit. Second, both Hong Fu Nu and Nie Yin Niang broke through barriers and constraints, bravely pursued marriage independence. However, “Biography of the Qiu Ranke” is more advanced than “Nie Yinniang”. Hong Fu Nu and Li Jing is a model of ideal love in people's minds. “Nie Yinniang” lacks emotional description. Nie Yin Niang chose her husband because of the mirror is very helpful. Third, Hong Fu Nu and Nie Yin Niang have their own advantages and specialties. This is Hong Fu Nu's beauty and Nie Yin Niang's superb martial arts. and the two items have also become the basic elements in shaping the female chivalrous image in later martial arts novels. Finally, the types of knights include not only Confucian knights who serve the country and make contributions, but also Taoist knights who don't care about fame and fortune and go back to seclusion. Hong Fu Nu and Nie Yin Niang are typical representatives of these two knights.
참고문헌 (37)
- 班固, "汉书" (1962), 中华书局
- 北京大学中文系, "中国小说史话" (1978), 人民文学出版社
- 陈墨, "孤独金庸" (2008), 东方出版社
- 陈平原, "千古文人侠客梦" (2002), 新世界出版社
- 陈曦, "唐代传奇中的女侠形象及其审美价值", 广西社会科学 (2004)
- 冯友兰, "三松堂学术文集" (1984), 北京大学出版社
- 葛洪, "抱朴子" (2013), 中华书局
- 高维彬, "性别视阈下唐传奇中的女侠研究", 硕士, pp.2015
- 胡应麟, "少室山房笔丛" (1980), 中华书局
- 侯忠义, "中国文言小说参考资料" (1985), 北京大学出版社
- 胡文彬, "中国武侠小说辞典" (1992), 花山文艺出版社
- 胡丽, "唐代小说女侠形象研究", 硕士, pp.2008
- 金庸, "侠客行" (1994), 三联书店
- 孔庆东, "王度庐与侠情小说", 国家人文历史 (2010)
- 老子, "王卡点校≪老子道德经河上公章句" (1997), 中华书局
- 李昉, "太平广记" (1961), 中华书局
- 梁守中, "武侠小说话古今" (1992), 江苏古籍出版社，中华书局
- 鲁迅, "唐宋传奇集" (2002), 天津古籍出版社
- 鲁迅, "中国小说史略" (1996), 东方出版社
- 路云亭, "道教与唐代豪侠小说", 晋阳学刊 (1994)
- 刘佳宁, "聂隐娘研究", 硕士, pp.2014
- 罗媛元, "前无古人后启来者——试论唐人武侠小说≪虬髯客传≫的影响", 梧州师专学报 (1997)
- 林宪亮, "唐代小说之女侠形象兴盛原因刍议", 岱宗学刊 (2006)
- 宁宗一, "中国武侠小说鉴赏辞典" (1992), 国际文化出版公司
- 司马迁, "史记" (1963), 中华书局
- 宋巍, "中国古典武侠小说史论", 博士, pp.2006
- 陶潜, "搜神后记" (1981), 中华书局
- 汪聚应, "唐人豪侠小说集" (2011), 中华书局
- 王先谦, "韩非子集注" (1998), 中华书局
- 王一川, "二十世纪中国文学大师文库･小说卷" (1994), 海南出版社
- 肖红, "试论红拂形象的嬗变", 硕士, pp.2008
- 余英时, "士与中国文化" (1987), 上海人民出版社
- 袁行霈, "中国文学史" (2003), 中国高等教育出版社
- 杨芬霞, "男权视域下的女侠传奇", 贵州社会科学 (2006)
- 郑处海, "明皇杂录" (1997), 中华书局
- 张晓颖, "唐人传奇女侠形象研究", 硕士, pp.2012
- 周南, "浅析侠文化的核心意象", 飞天论坛 (2012)