우드카빙을 활용한 가구디자인 연구 -자귀 텍스쳐링(Chona texturing)과 밴드쏘 박스(bandsaw box) 제작 기법을 중심으로-
A Study of Furniture Design with Woodcarving -Focused on Chona Texturing and Bandsaw Box Building Method-
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study aims to present a furniture design with wood carving as a way to ap- proach the original meaning of the craft as an object for use made by hand. In the history of design, there have been several cases of rejecting the growing dependence on machines in the process of producing crafts or furniture designs, representing William Morris's Art & Craft and Yanagi Muneyoshi's Folk Craft movement. Focusing on the importance of hand-made work pointed out in these two cases, I tried to reveal the handcrafted characteristics to my new de- sign through woodcarving and band saw box techniques. In order to collect data for the devel- opment of design, various products that were actively created by hand, examples of artists' works, and their techniques were studied. Through this process, I paid attention to a texture technique called Naguri, and I was able to examine what results could be presented through the combination of works by hand and machine in the pattern making process. Through the con- clusion of this study, I hope that various hand-made techniques will be accepted and trans- formed modernly in contemporary wood craft, furniture design and furniture industry in the future.
Abstract
This study aims to present a furniture design with wood carving as a way to ap- proach the original meaning of the craft as an object for use made by hand. In the history of design, there have been several cases of rejecting the growing dependence on machines in the process of producing crafts or furniture designs, representing William Morris's Art & Craft and Yanagi Muneyoshi's Folk Craft movement. Focusing on the importance of hand-made work pointed out in these two cases, I tried to reveal the handcrafted characteristics to my new de- sign through woodcarving and band saw box techniques. In order to collect data for the devel- opment of design, various products that were actively created by hand, examples of artists' works, and their techniques were studied. Through this process, I paid attention to a texture technique called Naguri, and I was able to examine what results could be presented through the combination of works by hand and machine in the pattern making process. Through the con- clusion of this study, I hope that various hand-made techniques will be accepted and trans- formed modernly in contemporary wood craft, furniture design and furniture industry in the future.
참고문헌 (17)
- 리처드 래펀, "목선반", pp.70~71 (2023), 모눈종이
- 박홍규, "윌리엄 모리스 평전", pp.168~ (2007), 개마고원
- 신정혜, "미술공예 운동에 대한 연구 -윌리엄 모리스를 중심으로-", 한국디자인문화학회지, 16(4), pp.321~332 (2010), 한국디자인문화학회
- 야나기 무네요시, "공예의 길", pp.64~ (1997), 신구문화사
- 유근오, "채용을 넘어서 환유로. 올해의 작가전", 광화문아트포럼, 45~ (2023)
- 최범, "공예를 생각한다", pp.61~ (2017), 안그라픽스
