한국무용 동작구조의 시.공간적 의미 -역학적(易學的) 사유(思惟) 구조를 중심으로-

Abstract

The current study examined the spatiotemporal meaning of dance movement structures consisting of Korean dance in a philosophical viewpoint suggested by 『I-Ching(周易)』. Movement structures of Korean dance can be classified into the following three stages. The 1st stage can be examined a structural viewpoint[位] of I-Ching(易) while analyzing movement principles of Korean dance according to the unification ideology of heaven, earth and human. That is, movement principles of Korean dance are analyzed from a viewpoint of the unification ideology of heaven, earth and human. Movement principles of Korean dance prescribe movement principles[道] in spatial structure of heaven, human and earth. The flow of human energy created by responding to the heavens and the earth, and every direction form the frame of movement principles by interacting with the heavens and the earth. The 2nd stage can be examined a time-based viewpoint of I-Ching(易) while analyzing movement principles of Korean dance according to the principles of Yin and Yang. “Doctrines(道) is conducting Yin(陰) once and then conducting Yang(陽) next time” means that the law of I-ching(易道) is expressed in all things by Yin and Yang changing and creating the all things through coming and going. All movements of Korean dance are performed by breathing. Inhalation[陽氣] and exhalation[陰氣] harmonize with each other in due time. The current study examined circulation process of breathing in the viewpoint of Yin-Yang Yuhaeng (Yin changes to yang and Yang changes to Yin). The 3rd stage can be examined a spatiotemporal viewpoint of I-Ching(易) while analyzing movement principles of Korean dance according to the principles of Yin and Yang, and the ideology of the Great Absolute(太極思想). The spatiotemporal viewpoint of I-Ching means the forming process of movement structures through development of the structural viewpoint of I-Ching and the time-based viewpoint of I-Ching. That is, dance movements including spatial orientation(定位) and time-based trend formed by movement structure of Korean dance are analyzed. By analyzing the principle of ‘Ileumilyang(一陰一陽)’ in two ways, the entire flow maintains homeostasis while Yin and Yang exchange with each other through the law of changes in all things. These movement structures are expressed altered structures of dance movements divided by unification and specialization. The unification structures of movements are formed in I-Ching time structure while the specialization structures are formed in I-Ching spatial structure. These movement structures are divided into Daedae structure of Yin-Yang, and circulative structure of Yin-Yang, differentiating their dance methods.