지아장커(贾樟柯)영화 『세계(世界)』속 세 개의 세계
Three worlds in the movie 「The World」 producted by Zhang Ke Jia
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Through this paper, I examined the movie 「The World」of Zhang Ke Jia in three aspects. Firstly, I read 「The World」as temporal meaning through several objects who are characters and backgrounds in the movie. Seemingly, all characters in the movie are adapted to the modernization of metropolis properly but as the life goals and directions they are seeking are different from each other so there are existed gaps of time among them. Secondly, I read 「The World」as spatial meaning which has three characteristics. 「The World」is the copied world that we can go all over the world by monorail for a few minutes as well as for the workers in ‘the world’ park, the closed world they cannot get out of there at all. In addition, 「The World」make the other world called by imagine so that the degree of characters’ actual desire and despair in the movie can be showed to spectators more plainly. Third, this paper read 「The World」as actual life’s world of characters who passed temporal world and spatial world. The splendid world in ‘the world’ park is the fake world which has nothing to do with main characters. But in spite of the capital’s order which intend to make them ‘fake’, they are existed as a ‘real’. The movie shows the faithful emotional world of them who intend to be existed as a real although they are hurt by the fake world.
Abstract
Through this paper, I examined the movie 「The World」of Zhang Ke Jia in three aspects. Firstly, I read 「The World」as temporal meaning through several objects who are characters and backgrounds in the movie. Seemingly, all characters in the movie are adapted to the modernization of metropolis properly but as the life goals and directions they are seeking are different from each other so there are existed gaps of time among them. Secondly, I read 「The World」as spatial meaning which has three characteristics. 「The World」is the copied world that we can go all over the world by monorail for a few minutes as well as for the workers in ‘the world’ park, the closed world they cannot get out of there at all. In addition, 「The World」make the other world called by imagine so that the degree of characters’ actual desire and despair in the movie can be showed to spectators more plainly. Third, this paper read 「The World」as actual life’s world of characters who passed temporal world and spatial world. The splendid world in ‘the world’ park is the fake world which has nothing to do with main characters. But in spite of the capital’s order which intend to make them ‘fake’, they are existed as a ‘real’. The movie shows the faithful emotional world of them who intend to be existed as a real although they are hurt by the fake world.
참고문헌 (11)
- 贾樟柯, "世界(The World)", ~ (2005)
- 贾樟柯, "世界. in: 电影艺术" (2005), 电影艺术杂志社
- 张会军, "拥挤的世界 变化的中国 思考的贾樟柯-贾樟柯谈电影 '世界' 的创作与发行", 北京电影学院学报 (2005), 北京电影学院
- 格非, "'世界' 札记. in: 读书" (2005), 生活ㆍ读书ㆍ新知三连书店出版
- 许海燕, "三种真实 三重世界-评贾樟柯电影 '世界'", 电影文学 (2005), 长影集团期刊出版公司
- 吴晓东, "妥协的 '世界'. in: 书城" (2005), 上海三联书店和上海市出版工作者协会
- 傅明根, "'世界杯图象'文化语境中的电影-以贾樟柯的影片 '世界' 为例", 艺术百家 (2006), 江苏省文化艺术研究院
- "贾樟柯电影作品 '世界'两个版本的比价" (2007)[URL]
- "‘지금’중국을 사는 청춘들의 예민한 초상-네 번째 장편영화 '세계'를 통해 본 지아장커의 영화세계" (2006), 홍성남[URL]
- "'세계'로 본 지아장커의 영화세계" (2006), 안시환[URL]
- "지아장커의 '스틸라이프'(1)" (2006), 정성일[URL]