虛實美學과 中國 古典詩
A study on the aesthetics of emptiness in a classical Chinese poem
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The paper studied the relationship between the emptiness and substance through classical chinese literacy criticism and classical chinese poems. Each concept of emptiness and substance was not isolated from each other by interpreting each of them as being relative one or thorough classification, but the philosophical meaning of each concept was examined and the formative structure was analyzed and studied. The philosophy of Lao-tzu and Chuang-tzu represent Taoist in the ancient Chinese philosophy, however, we can also find trace of that their philosophies are influenced by classical chinese poems. Now this study would be focused on the Xu-Jing(虛情), which is under the influence of classical chinese poems, and mean while it exhibits the specific characters of Xu-Shi(虛實)esthetics. This study would dispute on Xu-Shi(虛實)esthetics on classical chinese poems. Xu-Shi(虛實)esthetics on classical chinese poems involved with metaphor and understatement.
Abstract
The paper studied the relationship between the emptiness and substance through classical chinese literacy criticism and classical chinese poems. Each concept of emptiness and substance was not isolated from each other by interpreting each of them as being relative one or thorough classification, but the philosophical meaning of each concept was examined and the formative structure was analyzed and studied. The philosophy of Lao-tzu and Chuang-tzu represent Taoist in the ancient Chinese philosophy, however, we can also find trace of that their philosophies are influenced by classical chinese poems. Now this study would be focused on the Xu-Jing(虛情), which is under the influence of classical chinese poems, and mean while it exhibits the specific characters of Xu-Shi(虛實)esthetics. This study would dispute on Xu-Shi(虛實)esthetics on classical chinese poems. Xu-Shi(虛實)esthetics on classical chinese poems involved with metaphor and understatement.
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