세계화 시대, 중국영화비평 속의 ‘중국’독해

Abstract

Globalism, Reading 'China' in the Chinese Cinema Criticism Park, Byung-won The Chinese ethnical and cultural characteristics, and the aesthetic ideas that appear in the story of Chinese cinema, create and express the Chinese cultural experience in order to show the world the variety of cultures in China. However, the Globalism trend at the end of the 20th century included the risk of heading towards the cultural values found in American movies, which are dominating world movie market, thereby creating a universal culture. In this thesis, the classical aesthetics and artistic-type, which were suggested and practiced from the beginning of Chinese cinema history, are the topic for the argument. The ethnic issue from the 1980s will be studied, and the 'Chinese' experiences as prescribed in Chinese cinemas, which have been generalized by Chinese cinema critics until the beginning of 2000, will be read. In addition, the meaning of 'Chinese characteristics' which have appeared in the movies of the world, along with the rise of Globalism, and have been established through the traditional Chinese cultural image, and the way that the attitude of oriental criticism is changing toward it, will be studied.Through the above analysis, it was discovered that the Chinese cultural identification doesn't exist in Chinese cinemas, but it is being consumed through interpretation and imagination. Through the study of how Chinese movie theories and criticisms understand the traditional culture as the characteristic of Chinese cultural identification, it will be studied how the cultural identification discussion, mainly concerning the 20th century Chinese cinema, is changing its discussion in the movie industrial aspect and cultural right as the cultural sources in the Globalism of the 21st century.