일본 근대시 속의 문명 - 도시 시편을 중심으로 -
Civilization in Modern Japanese Poetry - Into the Poem of the Cities -
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참고문헌
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초록
歴史的に資本主義の拡散は工業と産業の発展を基に都市化と文明化を齎しており、これに対し、日本の近代詩人たちは肯定と否定の視線を同時に示す。しかし、多くは都市の文明化を人間性を逼迫し、情緒を抹殺するものとみる否定的な視線が目立つ。早い時期に文明と都市に注目した萩原朔太郎は文明化した都市と人間の生や日常生活との関係を照明している。初期には都市、特に東京への憧れの姿勢を表すが、だんだん盲目的な都市化を批判していく。一方、大正末期に登場した前衛派詩人たちの多くはドライな言語表現に偏った結果、彼らが目指した詩形式の変革と立体的な言葉遣いは、文明礼讃であれ批判であれ、単なるレトリックとしての限界を否めない。こういう観点からみると、小野十三郎と岡本潤は前衛詩人として出発したものの、前衛詩が排除した自然の表情や人間の思考を詩の中に導入することで、盲目的で理不尽な文明化と都市化の弊害を辛辣に批判している点、抒情性を備えたリアリズム抒情詩・諷刺詩としての価値が認められる。
Abstract
Historically, the spread of Capitalism led to urbanization and civilization based on developments in industry and manufacturing, regarding this, the modern poets of Japan have shown both positive and negative views. However, in general, the negative view of urban civilization persecuting humanity and destroying sentiments stands out. Hagiwara Sakutaro, who was among the first to pay attention to civilization and cities, had light on the relationship between an urbanized city, the lives of humans, and the everyday. In the early days, he revealed his admiration for cities, especially Tokyo, but as time went on, he criticized indiscriminate urbanization. On the other hand, most of the Avant-Garde poets who appeared at the end of the Taisho Period devoted themselves to dry language expressions. As a result, they can not deny the rhetorical limitations of the transformational form and three-dimensional vocabulary they pursued in their poetry, whether it was praise or criticism of civilization. In this regard, Ono Tozaburo and Okamoto Jun, although starting their careers as Avant-Garde poets, introduced expressions of nature and human thoughts missing from Avant-Garde poetry to harshly criticize the faults of indiscriminate and unreasonable urbanization, and their values as realistic Ideological and Satirical Poetry with the lyricism are recognized.
참고문헌 (11)
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- "文明"[URL]
- "文明(日本大百科全書)"[URL]
- "文化住宅(日本大百科全書)"[URL]
