규곤(閨壼)의 경계선을 넘어서다: 명대 여성 작가 서덕영에 대한시론
A Study of Xu De Ying’s Historical Criticism
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In the history of Chinese women, the Ming Dynasty is a very important era. It was not until then that Chinese people changed their view to support education for women, and the number of educated women increased. In fact, there were a few outstanding individual female writers before the Ming Dynasty; however, in the Ming Dynasty, female writers corresponded with each other and created their own literary works through group activities. This was the reason why female social activities took place actively during the Ming Dynasty. However, the number of those women was still small, and the Ming Dynasty was an era when most women were repressed. Under such circumstances, Xu De Ying was a woman whose writing was distinctive from that of other female writers. She criticized male politics through her criticism of the past, and raised her voice to the world with no hesitation. She pushed beyond the limitations of the women’s quarters, and we can discover her views on trans-boundaries throughout her works.
Abstract
In the history of Chinese women, the Ming Dynasty is a very important era. It was not until then that Chinese people changed their view to support education for women, and the number of educated women increased. In fact, there were a few outstanding individual female writers before the Ming Dynasty; however, in the Ming Dynasty, female writers corresponded with each other and created their own literary works through group activities. This was the reason why female social activities took place actively during the Ming Dynasty. However, the number of those women was still small, and the Ming Dynasty was an era when most women were repressed. Under such circumstances, Xu De Ying was a woman whose writing was distinctive from that of other female writers. She criticized male politics through her criticism of the past, and raised her voice to the world with no hesitation. She pushed beyond the limitations of the women’s quarters, and we can discover her views on trans-boundaries throughout her works.
참고문헌 (6)
- 王秀琴, "歷代名媛文苑簡編" (1947), 商務印書館
- 趙崔莉, "明代宦門閨秀敎育述略", 遼寧大學學報, 36(3), pp.135~ (2008)
- 張麗杰, "明代編纂刊刻女性文集的選文標準及其目的", 社會科學輯刊, 187, pp.197~199 (2010)
- 孫小力, "悍婦與益友―晩明江南婦女的家庭角色新變", 深圳大學學報, 24(6), pp.145~ (2007)
- 沈雪瑩, "節與忠: 明遺民對明淸之際江南女性殉節的書寫", 溫州大學學報, 22(2), pp.203~205 (2009)
- 姜勝利, "明遺民與淸初明史學", 安徽大學學報, 27(1), pp.156~157 (2003)
