가즈다노프의 러시아 망명 문학론
A.Gazdanov's Discussion on Russian Literature in Exile
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The two flows of literature in the home country and literature in exile contain different philosophical and artistic culture of the 20th century. Among them, the emigrant literature in exile has its Russian speaking readers who had to leave Russia after the revolution and civil war in to Europe. The emigrant Russian literature was in danger of crisis. That's because the younger generation of literature felt it difficult to write about Russia, not breathing air of Russia and not seeing the traditional culture of the past Russia properly. In literary debates about crisis of emigrant literature, considering the situation that the connections between the emigrant reality and the Russian tradition get thinner, Gazdanov claims that the generation of young writers should break off relations with the literary traditions of the Silver Age inherited by the older generation and should pay attention to contemporary uncertainty and eternal philosophical problems. In Gazdanov the boundary between the reality and fiction is vague. And reality of human beings and the phenomena take various forms of illusion in Gazdanov, which is the key and truth of the world of his literature. He found out the semantic space of the gap and boundary in his works, and he created his own world that meets the artistic tasks of the 1.5 generation, defined and assigned by himself.
Abstract
The two flows of literature in the home country and literature in exile contain different philosophical and artistic culture of the 20th century. Among them, the emigrant literature in exile has its Russian speaking readers who had to leave Russia after the revolution and civil war in to Europe. The emigrant Russian literature was in danger of crisis. That's because the younger generation of literature felt it difficult to write about Russia, not breathing air of Russia and not seeing the traditional culture of the past Russia properly. In literary debates about crisis of emigrant literature, considering the situation that the connections between the emigrant reality and the Russian tradition get thinner, Gazdanov claims that the generation of young writers should break off relations with the literary traditions of the Silver Age inherited by the older generation and should pay attention to contemporary uncertainty and eternal philosophical problems. In Gazdanov the boundary between the reality and fiction is vague. And reality of human beings and the phenomena take various forms of illusion in Gazdanov, which is the key and truth of the world of his literature. He found out the semantic space of the gap and boundary in his works, and he created his own world that meets the artistic tasks of the 1.5 generation, defined and assigned by himself.
참고문헌 (10)
- 골룹꼬프, "러시아현대문학: 분열 이후의 새로운 모색", pp.98~100 (2006), 역락
- 올랜도 파이지스, "나타샤댄스" (2005), 이카루스미디어
- Jone Glad, "Conversations in Exile: Russian Writers Abroad" (1993), Duke University Press
- Буслакова Т.Д, "Литература русского зарубежья: Курс лекций. 2-е издание. -М., Высшая школа", ~ (2005)
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- Сапрыкин Д.Л, "Рассказ Газданова Панихида и религиозные корни творчества", pp.2000, ~
- Струве Г.П, "Русская литература в изгнании. Изд. 3-е. Париж-Москва", ~ (1996)
- "Критика русского зарубежья. В.2. Ч.2", pp.2002, ~
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