문혁 재현 영화 속의 폭력과 ‘기억’
Violence and Memory in Film that descrive the Cultural Revolution
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참고문헌
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초록
Memories of the Cultural Revolution of the three works published in almost the same time is to say the current availability of three artists. TianZhuangzhuang describes a woman who embraced life that destroyed by politics. She fight to the violence of the Cultural Revolution although it is a small gesture. But ChenKaige thinks that the source of the violence of the Cultural Revolution period was not in the historical factors, it was in all human beings. He says that man's possessive, jealous, self-protective instincts appear with political act. Finally, ZhangYimou controls his own opinion about the Cultural Revolution. We can find the way of his control in depiction about the Cultural Revolution. He shows some stupid things, and discribes too tragic death. It seems that find the causes of the Cultural Revolution from the contingency rather than the inevitability. This attitude is revealed in the last scene of the ambiguous dialogue seems more geureohae.
Abstract
Memories of the Cultural Revolution of the three works published in almost the same time is to say the current availability of three artists. TianZhuangzhuang describes a woman who embraced life that destroyed by politics. She fight to the violence of the Cultural Revolution although it is a small gesture. But ChenKaige thinks that the source of the violence of the Cultural Revolution period was not in the historical factors, it was in all human beings. He says that man's possessive, jealous, self-protective instincts appear with political act. Finally, ZhangYimou controls his own opinion about the Cultural Revolution. We can find the way of his control in depiction about the Cultural Revolution. He shows some stupid things, and discribes too tragic death. It seems that find the causes of the Cultural Revolution from the contingency rather than the inevitability. This attitude is revealed in the last scene of the ambiguous dialogue seems more geureohae.
참고문헌 (7)
- 최문규, "기억과 망각 : 문학과 문화학의 교차점" (2003), 책세상
- 이현우, "폭력이란 무엇인가" (2011), 난장이
- 마크 레너드, "중국은 무엇을 생각하는가" (2011), 돌베개
- 공진성, "폭력" (2009), 책세상
- 김종현, "문혁소설이 보여 준 8,90년대 의식의 전환", 중국현대문학, (54), pp.129~152 (2010), 한국중국현대문학학회
- 羅雪瑩, "向你敞開心扉--電影名人方談錄" (1993), 知識出版社
- 崔衛平, "電影中的‘文革’敘事", 粵海風, (4) (2006)
