금지된 기억의 다시 쓰기: 왕난푸 다큐멘터리의 스토리텔링 - ≪한 자녀 국가≫와 ≪같은 호흡 속에서≫를 중심으로
Rewriting of Forbidden Memories: Nanfu Wang’s Documentary Storytelling - Focusing on One Child Nation and In the Same Breath
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Nanfu Wang(王男栿), as a Chinese descent director working in the United States examined the COVID-19 pandemic effect on the political background and trauma through In the Same Breath(2021). Previously, she released sensational work called One Child Nation(2019), which display various absurdity aspects and wounds that existed in the implementation of China’s “One Child Policy.” These two films have great similarities within which distinguishes them from her previous works. In these two her works, narratives about families and communities were treated as important, various insights into problems on both a macroscopic and microscopic level. In terms of technology expression, it makes remarkable leaps. This study analyzed the storytelling characteristics through her two documentaries. First, it analyzed at Wang’s creative journey as well as her cultural background, in her two works she birthed. Second, it also studied the storytelling characteristics, which is interpreted from the family narrative toward the trans-national narrative with the theme consciousness. Third, it learned about the role of narration, which is Wang’s documentary’s major feature. Finally, it analyzed several aspects of expression for the exposure to irrationality and the traumatic realization that her storytelling aims for.
Abstract
Nanfu Wang(王男栿), as a Chinese descent director working in the United States examined the COVID-19 pandemic effect on the political background and trauma through In the Same Breath(2021). Previously, she released sensational work called One Child Nation(2019), which display various absurdity aspects and wounds that existed in the implementation of China’s “One Child Policy.” These two films have great similarities within which distinguishes them from her previous works. In these two her works, narratives about families and communities were treated as important, various insights into problems on both a macroscopic and microscopic level. In terms of technology expression, it makes remarkable leaps. This study analyzed the storytelling characteristics through her two documentaries. First, it analyzed at Wang’s creative journey as well as her cultural background, in her two works she birthed. Second, it also studied the storytelling characteristics, which is interpreted from the family narrative toward the trans-national narrative with the theme consciousness. Third, it learned about the role of narration, which is Wang’s documentary’s major feature. Finally, it analyzed several aspects of expression for the exposure to irrationality and the traumatic realization that her storytelling aims for.
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