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前四史의 文學, 文章, 文人 용례를 통한 한대 문학관념 고찰

A Study on Literature Ideas of the Han Dynasty from the example of the Early Four Historiographies

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초록

The most important phenomenon of the cultural concept during the Han-Dynasty was the categorization between academic and literature concept. As the history shows, the word Wenxue(文學) is very different from the modern concept which is being used today. As stated in this article, they all are closely connected with the Confucianism. Since Confucian scholars dominated knowledge related professional positions, managing documents at the official levels, the writing activity was described as Wenzhang(文章). In addition, the word Wenci(文辭) was used to depict the modification function of the writing. When looking at these examples, it is thought that the scholarship and writing was categorized, and recognized the style of writing as authentic features of writing during the Han Dynasty. Other than these examples, the records of ≪Yiwenzhi≫ or Liezhuan(列傳) shows the development trends of the Han Dynasty's literature concepts, which are defined as independently categorizing Shi(詩) and Fu(賦) in ≪Qilue≫, and the creation of professional creative groups.

Abstract

The most important phenomenon of the cultural concept during the Han-Dynasty was the categorization between academic and literature concept. As the history shows, the word Wenxue(文學) is very different from the modern concept which is being used today. As stated in this article, they all are closely connected with the Confucianism. Since Confucian scholars dominated knowledge related professional positions, managing documents at the official levels, the writing activity was described as Wenzhang(文章). In addition, the word Wenci(文辭) was used to depict the modification function of the writing. When looking at these examples, it is thought that the scholarship and writing was categorized, and recognized the style of writing as authentic features of writing during the Han Dynasty. Other than these examples, the records of ≪Yiwenzhi≫ or Liezhuan(列傳) shows the development trends of the Han Dynasty's literature concepts, which are defined as independently categorizing Shi(詩) and Fu(賦) in ≪Qilue≫, and the creation of professional creative groups.

참고문헌 (14)

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  2. 中華書局, "班固", 1962
  3. 中華書局, "範曄", 1965
  4. 中華書局, "陳壽撰", 1982
  5. 郭紹虞, "中國文學批評史" (1999), 百花文藝出版社
  6. 于迎春, "漢代文人與文學觀念的演進" (1997), 東方出版社
  7. 王齊洲, "中國文學觀念論稿" (2004), 湖北敎育出版社
  8. 詹福瑞, "文, 文章 與 麗", 文藝理論硏究, 5 (1995)
  9. 張少康, "論文學的獨立和自覺非自魏晉始", 北京大學學報, 2 (1996)
  10. 서경호, "중국 문학의 발생과 그 변화의 궤적" (2003), 문학과지성사
  11. 크리스토퍼 리 코너리, "텍스트의 제국" (2005), 소명출판
  12. 마크 에드워드 루이스, "고대 중국의 글과 권위" (2006), 미토
  13. 오태석, "위진남북조 문예사조론", 中國語文學, 12 (2001)
  14. 박종한, "왕충 논형의 문학론연구", 중국문학, (12) (1984)

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