굿맨의 세계제작 옹호 -굿맨과 쉐플러의 논쟁을 중심으로-
A Defense of Goodman’s Worldmaking - Focusing on the Goodman-Scheffler Debate -
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Nelson Goodman contends that we make worlds by making worldversions. Though Israel Scheffler approves of Goodman's epistemological pluralism, he cannot accept Goodman’s thesis of worldmaking. He disagrees with Goodman in that he cannot accept the idea that we make the things to which our versions refer. For Goodman, we make a star by putting its parts together and marking off its boundaries. Scheffler argues that just because we make words, it does not follow that we make a star our words describe; it exists independent of us. I try to make plausible the idea of worldmaking. Following Goodman’s rejection of the distiction between natural and artificial kinds and the convention/fact dualism, I think it may be crucial in arguing for the contention that there is no independent world with fixed properties. I believe that our choice of convention or version creates or shapes content or the things of a world. For Goodman, art also contributes to the making of worlds. I discuss it in case of painting. I examine Goodman’s view of pictorial reference to show how paintings can have cognitive content. Here, it is remarkable that exemplification is a mode of reference whereby a painting refers to its own features. I also discuss that the discrimination of style is an integral aspect to get the insight paintings present.
Abstract
Nelson Goodman contends that we make worlds by making worldversions. Though Israel Scheffler approves of Goodman's epistemological pluralism, he cannot accept Goodman’s thesis of worldmaking. He disagrees with Goodman in that he cannot accept the idea that we make the things to which our versions refer. For Goodman, we make a star by putting its parts together and marking off its boundaries. Scheffler argues that just because we make words, it does not follow that we make a star our words describe; it exists independent of us. I try to make plausible the idea of worldmaking. Following Goodman’s rejection of the distiction between natural and artificial kinds and the convention/fact dualism, I think it may be crucial in arguing for the contention that there is no independent world with fixed properties. I believe that our choice of convention or version creates or shapes content or the things of a world. For Goodman, art also contributes to the making of worlds. I discuss it in case of painting. I examine Goodman’s view of pictorial reference to show how paintings can have cognitive content. Here, it is remarkable that exemplification is a mode of reference whereby a painting refers to its own features. I also discuss that the discrimination of style is an integral aspect to get the insight paintings present.
참고문헌 (17)
- 황유경, "Goodman에 있어서 예술적 양식의 개념", 美學, 27 (1999), 한국미학회
- 황유경, "지식으로부터 이해로의 이행 :정서예시허구은유의인지적기능II", 美學(미학), (45), pp.203~252 (2006), 한국미학회
- Elgin,Catherine, "The Legacy of Nelson Goodman", Philosophy and Phenomenological Research, 6 (2001)
- Goodman, Nelson, "On Some Worldly Worries", Synthese, 95, pp.9~12 (1993), Starmaking
- Goodman, Nelson, "Comments" (1996), Starmaking
- McCormick,Peter, "Starmaking : Realism, Anti-Realism, and Irrealism" (1996), MIT Press
- Robinson, Jenefer, "Expressing the Way the World Is: Expression as Reference", Journal of Aesthetic Education, 13 (1979)
- Robinson, Jenefer, "Languages of Art at the Turn of the Century", Symposium: The Legacy of Nelson Goodman, 통권 : 58 (2000), The Journal of Aesthetics and Art Criticism
- Scheffler, Israel, "The Wonderful Worlds of Goodman", Synthese, 45 (1980)
- Scheffler, Israel, "Reply to Goodman" (1996), Starmaking
- Scheffler,Israel, "Worldmaking:Why Worry" (1996), Starmaking
- Scheffler, Israel, "Some Responses to Goodman’s Comments in Starmaking", Philosophia Scientiae, 2 (1997)
- Scheffler, Israel, "A Plea for Plurealism", Erkenntnis, 52 (2000)
- Scheffler, Israel, "My Quarrels with Nelson Goodman", Philosophy and Phenomenological Research, 62 (2001)
- Scheffler, Israel, "Worlds of Truth: A Philosophical Knowledge" (2009), Wiley-Black
- Schwartz, Robert, "Starting from Scratch: Making Worlds", Erkenntnis, 52 (2000)
- Siegel, Harvey, "Relativism, Realism, and Rightness: Notes on Goodmanian Worldmaking", Journal of Thought, 19 (1984)