탈골된 문법과 다시 쓰는 역사: 미국시의 지평에서 보는 한국계 미국시의 문화정치학

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참고문헌 (23)

1. "후기식민주의 페미니즘 시각에서 본 차학경의 작품세계, 관객의 꿈: 차 학경 1951-1982", pp.71~83 (2003)
2. "미국 소수민족문학의 이해: 한국계 편" (2001), 신아사
3. "Theresa Hak Kyung Cha의 Dictee에 나타난 자아 국가의 주제", 28(1), pp.205~227 (1996)
4. "한국계 미국 시인 김명미의 시에 나타난 국가 젠더 및 언어", 10(2), pp.153~174 (2004)
5. "언어시운동과 찰스 번스틴", pp.168~175 (2005), 문학사 상사
6. "Images of Form VS Images of Content in Contemporary Asian-American Poetry", pp.71~91 (1995)
7. "Writing at the Crossroads of Languages", pp.207~223 (2002), Tuscaloosa: U of Alabama P
8. "Dictee" (1995), Third Woman P
9. "The Europe of Trusts" (1990)
10. "The ‘Liberatory Voice' of Theresa Hak Kyung Cha's Dictee Essays on Theresa Hak Kyung Cha’s Dictee", pp.73~99 (1994)
11. "Poised on the In-between A Korean American's Reflections on Theresa Hak Kyung Cha's Dictee Essays on Theresa Hak Kyung Cha’s Dictee", pp.3~30 (1994)
12. "Premonitions: The Kaya Anthology of New Asian North American Poetry" (1995), Kaya Production
13. "The Dream of Audience: Theresa Hak Kyung Cha (1951-1982)" (2001), U of California P
14. Lowe, "Immigrant Acts" (1996), Durham:Duke UP
15. "Postmodernism, Readers, and Theresa Hak Kyung Cha's Dictee", 23(3), pp.23~43 (1996)
16. "Everybody's Autonomy: Connective Reading and Collective Identity" (2001), Tuscaloosa:U of Alabama P
17. "Remote Parsee: An Alternative Grammar of Asian North Ameircan Poetry", pp.43~75 (2002), Tuscaloosa: U of Alabama P
18. "The Dramaturgy of Style Voice in Short Fiction" (1986)
19. "The New Cultural Politics of Difference", pp.256~67 (1993)
20. "Essays on Theresa Hak Kyung Cha's Dictee", pp.103~40 (1994)
21. "History Rewritten in Dislocated Grammar"
22. "Exploring Cultural Politics of Korean-American Poetry Eun-Gwi Chung"
23. "Although the politics of identity intertwined with gender and nationality have often been celebrated as a means of reading Korean-American writers the role of the experiment in language has yet to be explained Focusing on select works by Theresa Hak Kyung Cha and Myung Mi Kim this essay evaluates the form of dislocated grammar as a way of representing history and furthermore repositions their experimental poetics within the contemporary landscape of American poetry not as a form of alienation but as a form of constellation"

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