西洋․日本․韓国3文化圈におけるEdgar Allan Poeとの影響関係分析研究- 谷崎潤一郎と金東仁との美意識を中心に -

Abstract

I made it clear by writing what an influential relation between various the Republic of Korea and Japan was about a mechanism of the beauty which shows in Poe's (Edgar Allan Poe) literary world (mechanism). The plan of the construction of “artificial heaven” Poe and Tanizaki two authors put up as a motif of beauty, the taste of the main character and these are really very similar. Poe's literary world is reproduced by “gold death” and “magician” in this way. Tanizaki and Poe can find a common point at the place they tried to create “heaven of gorgeous art” where, but Mr. Okamura is to “death” contrary to that which gets prosperity in Erisun by a thesis of the idea as “supreme beauty” to model “artificial heaven” naturally. To the result and the situation that a duke of “red fatal disease” and Mr. Okamura call it “immorality” by the respective “death”. Nature isn't included in “artificial heaven” by Fan flame sonata, and “artificial heaven” is born by the “chance” brought by the instinct and accident. Furious music is born through such “artificial heaven”, and shiroseishu tries to make “heaven of gorgeous art” by itself, and music is invented, but I'll be motivated by that, and the “artificial heaven” is rotted and is immorality by an act as the murder caused personally. The point that sublimation of beauty by birth and immorality of the weird beauty by “artificial heaven” which is succeeded to to Tanizaki from Poe's and succeeded to to Kim Dong In from Tanizaki couldn't be achieved is common, the trigger which puts it in the furious beauty of “neutral beauty” and Kim Dong In of Poe's “supreme beauty” and Tanizaki and pursues those beauty and, each, the difference is admitted by the contents and also the formative process of the pursued beauty.