생활용품과 의례도구의 민화소재 수용양상과 사회적 의미

Abstract

A painter colored after describing a draft. He didn't sign his name on the painting and it was characterized. It was called ‘Folk Painting’. It was placed on the wall and in the room of the man and the woman in the form of the screener. We can know their decorations and world-views through them at that time. The Folk Painting began to change in the late of Joseon period; the elaborate description and the various subjects, the complex materials. The materials began to be concretely united and complicated in a painting. It means a Folk Painting had the various materials. Almost people followed to realize one's cherished wishes appeared one's beauties through the Folk Painting and the materials of it describing on the necessaries of daily life. The Folk Painting reflected on Confucian ideas and went forward the life painting. It means it was closely related with Confucianism. It is important for almost people in the society to receive and use the Folk Painting; the upper as well as the lower class. We can know the society had sharply changed through the tendency at that time. We can see the fact that the style at that time has influenced on it today and the forming-process of the tradition