이상화 시의 율격양상과 미적 특질- 이상화 시의 전후기 구분문제와 관련하여

Abstract

There are three types which meter of Lee sang-hwa's poems standing keeps. The first is based on stanza and emphasizes a form equivalence. The second is one stanza poem which cannot keep equivalence but systematic juxtaposition of part vocabulary leads. So this type creates units as repetition and context coat unit. And there is a type of prose poem at third. The general interpretation against poems of poet Lee sang-hwa was advanced and it was come above reconciliation that divided as the former term and the latter term. Usually the former term is recognized with symbolism tendency as poem <at my bedroom> and the latter term is recognized with the nationalism tendency as poem <does the spring come even in the field where it has taken away>. And like this opinion have two questions. The one is legitimate to divide as former and latter term. And the other is legitimate to interpretate the poem <at my bedroom> with only symbolism. In this study on metrics in poems of Lee, it confronts hereupon and approximately it observes a ratio standing aspect dividing actualness is meaningless and it divides even if but both are located it will be able to confirm inside scope of the former term. When trying to be like this, the poem <at my bedroom> is adopted the technique of symbolism from point it will be able to agree, but ultimate message of that work must be interpreted from nationalism background.