Specter, Rhizome, and Bridge: Kim Su-yeong's View of Tradition
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
There are two major currents in the field of social sciences in regards to tradition and modernity. The first one, which is accepted as an irrefutable theory, is centered on the thesis that modernity destroys tradition. The second one, asserted by Hobsbawm, is based on the thesis that modernity invents tradition. Although they apparently oppose each other, they share the same presupposition, since both of them perceive tradition as a substance. This paper examines, in this regard, a third way of perceiving tradition, which is to look at it from the perspective of the theory of tradition asserted by Kim Su-yeong. For this, I will restructure his theory of tradition referring to concept of “specter” created by Derrida and also concept of “rhizome” created by Deleuze and Guattari. I will also examine the symbol of the symbolic space of bridge where tradition and modernity communicate each other. Through this process, I attempt to revive the possibility of thinking the tradition in a new perspective.
Abstract
There are two major currents in the field of social sciences in regards to tradition and modernity. The first one, which is accepted as an irrefutable theory, is centered on the thesis that modernity destroys tradition. The second one, asserted by Hobsbawm, is based on the thesis that modernity invents tradition. Although they apparently oppose each other, they share the same presupposition, since both of them perceive tradition as a substance. This paper examines, in this regard, a third way of perceiving tradition, which is to look at it from the perspective of the theory of tradition asserted by Kim Su-yeong. For this, I will restructure his theory of tradition referring to concept of “specter” created by Derrida and also concept of “rhizome” created by Deleuze and Guattari. I will also examine the symbol of the symbolic space of bridge where tradition and modernity communicate each other. Through this process, I attempt to revive the possibility of thinking the tradition in a new perspective.
참고문헌 (45)
- Beck, U., "Reflexive Modernization" (1994), Stanford University Press
- Benjamin, W., "On the Concept of History in : Selected Writings vol. 1" (1940), Belknap Press of Harvard University Press
- Bishop, I. B., "Korea and Her Neighbors" (1897), Fleming H. Revell
- Buck-Morss, S., "Walter Benjamin and Arcade Projects" (2004), Munhak Dongne
- Choe, Dong-ho, "Literary Position of Kim Su-yeong", Study of Writers, 5 (1998)
- Choe, Ha-rim, "Critical Biography of Kim Suyeong" (2001), Silcheon Munhaksa
- Deleuze, G., "Mille Plateaux" (1980), Minuit
- Derrida, J., "Spectres de Marx" (1993), Galilée
- Didi-Huberman, G., "Devant l’image" (1990), Minuit
- Eisenstadt, S. N., "Tradition, Change and Modernity" (1973), John Wiley
- Eliot, T. S., "Traditional and Individual Talent in : The Sacred Wood" (1966), Muthuen
- Escoubas, E., "De la traduction comme ‘origine’ des langues: Heidegger et Benjamin", Les temps modernes, 514(5) (1989)
- Harskamp, J. T., "Past and Present in Modernist Thinking", British Journal of Aesthetics, 24 (1984)
- Hobsbawm, E., "The Invention of Tradition" (1983), Cambridge University Press
- Hwang, Jong-yeon, "Modern and Postmodern of Korean Literature", 박사, pp.1991
- Jang, Man-ho, "Dialectical Aspects of Kim Su-yeong’s Poetry", Study of National Culture, 40 (2004)
- Jang, Seok-won, "A Study of the “Repetition” in Kim Su-yeong’s Poems", Journal of the Modern Korean Literature, 4 (2001)
- 전병준, "김수영 시에 나타난 사랑의 의미 연구", 국제어문, (43), pp.247~275 (2008), 국제어문학회
- 김홍중, "한국 모더니티의 기원적 풍경:李箱의 <烏瞰圖> 시 제1호", 사회와 이론, (7), pp.177~214 (2005), 한국이론사회학회
- Kim, Hyeon, "Freedom and Dream in : The Literature of Kim Su-yeong" (1983), Minumsa
- Kim, Myeong-in, "Kim Su-yeong, Avdventure for the Modern" (2002), Somyeong
- Kim, Sang-hwan, "Satire and Enlightenment or Love and Death" (2000), Minumsa
- Kim, Su-yeong, "Complete Works of Kim Suyeong 2 vols" (1981), Minumsa
- Kim, Su-yeong, "Kim Su-yeong and Heidegger" (2007), Minumsa
- Kim, Yu-jung, "How to Understand the Literature of Kim Su-yeong", Korean Literature and Criticism, 29 (2005)
- Ko, Bong-jun, "Tradition and Modernity of Kim Su-yeong’s Literature", Anthology of Korean Literary Studies, 30 (2002)
- Kwak, Myeong-suk, "Kim Su-yeong’s Poetry and Postcolonial Experiences of the Modernity", Journal of Korean Modern Literature, 9 (2001)
- Lacan, J., "Le séminaire" (1973), Seuil
- Nam, Ki-Hyeog, "Critical Study of Korean Modern Poetry" (2001), Worin
- Nam, Ki-Hyeog, "(A Study of Family Motif in the Korean Postwar Poems", Korean Culture, 35 (2005)
- Nam, Jin-u, "Aesthetic Modernity and Poetics of Instance" (2001), Somyeong
- No, Yong-mu, "A Study of “Gigantic Root” of Kim Su-yeong", Korean Language and Literature, (53) (2004)
- O, Hyeong-yeop, "A Study of Aesthetic Modernity of Kim Su-yeong’s Poetry", Journal of Korean Language and Literature, (125) (1999)
- Park, Hyun-su, "Modern Poetry and the Rhetoric of Traditionalism" (2004), Seoul University Press
- Park, Su-yeon, "Three Elements of Modernity in Kim Su-yeong’s Poems", Korean Language and Literature, (42) (1999)
- Peret, C., "L’allégorie: une politique de la transmission?", Europe, (804) (1996)
- Ryu, Bo-seon, "The Will to Technique and the Intention of Enlightenment of Yi Sang’s Literature", Journal of Korean Modern Literature, 6 (1998)
- Ryu, Chan-yeol, "A Study of Kim Suyeong’s Literature", 박사, pp.2005
- Scholem, G., "La Kabbale et sa symbolique" (1966), Payot
- Shils, E., "Tradition" (1992), Minumsa
- Yeom, Mu-ung, "The Literature of People’s Era" (1979), Changbi
- Yeom, Mu-ung, "On Kim Su-yeong in : The Literature of Kim Su-yeong" (1983), Minumsa
- Yu, Jong-ho, "Freedom of Poetry and Fetters of Customs in : Literature of Kim Su-yeong" (1983), Minumsa
- Yu, Jung-ha, "Dynamism and Imagism of Revolution", Journal of Modern Chinese Literature, 27 (2003)
- Yu, Seong-ho, "Criticism of Kim Su-yeong’s Literature in : Living Kim Suyeong" (2005), Changbi