Discursive Structures and Cultural Features of Nak-ron Thought in Late Joseon Korea
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In the eighteenth century, classic revivalism (bokgojuui 復古主義) emerged as a scholarly method for East Asian intellectuals in search of a new self-identity after the dynastic shift from Ming to Qing. Amidst this trend of the East Asian intellectual world, the Horak debate that arose among Joseon scholars was a peculiar phenomenon. Its basis was on the Noron’s political and scholarly positions founded upon Zhu Xi Confucianism (Jujahak 朱子學), which was incompatible with classic revivalism. Noron labeled classic revivalism negatively as classic imitationalism (uigojuui 擬古主義), and, in that context, the Nak-ron group of the Noron emphasized presentness and universality by arguing the equalness of past and present, the mind-hearts of sages and commoners,and natures of humans and animals. However, the Horak debate and the ideas that it represented began to decline in the nineteenth century in various ways, caused by, for example, Nak-ron’s overemphasis on presentness, its assimilation into Ho-ron, and the emergence of classic revivalism in Joseon Korea.
Abstract
In the eighteenth century, classic revivalism (bokgojuui 復古主義) emerged as a scholarly method for East Asian intellectuals in search of a new self-identity after the dynastic shift from Ming to Qing. Amidst this trend of the East Asian intellectual world, the Horak debate that arose among Joseon scholars was a peculiar phenomenon. Its basis was on the Noron’s political and scholarly positions founded upon Zhu Xi Confucianism (Jujahak 朱子學), which was incompatible with classic revivalism. Noron labeled classic revivalism negatively as classic imitationalism (uigojuui 擬古主義), and, in that context, the Nak-ron group of the Noron emphasized presentness and universality by arguing the equalness of past and present, the mind-hearts of sages and commoners,and natures of humans and animals. However, the Horak debate and the ideas that it represented began to decline in the nineteenth century in various ways, caused by, for example, Nak-ron’s overemphasis on presentness, its assimilation into Ho-ron, and the emergence of classic revivalism in Joseon Korea.
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