유목적 주체의 시적 카르토그라피 전략 연구 - 김혜순, 허수경 작품을 중심으로 -

Abstract

In analyzing the works of Kim Hye-Soon and Heo Soo-kyung, two poets who have renewed the poetics of feminine subjectivity in modern Korean poetry, this study provides guidance as a practical orientation through the affirmation of different forms of subjectivity and the negotiation of activated images and concepts. The purpose of this study was to focus on drawing, that is, cartography. For Braidotti, the cartographic approach, which has the dictionary meaning of cartography, is a concept of geopolitical and ecological space, and includes both historical and genealogical dimensions of time to explain the subject's position. Woman, Beast, and Asia, which consists of poetic prose and prose poems from a trip to Tibet, can be seen as poet Hye-Soon Kim's own nomadic project and a product of deterritorial emergence consciousness, and as a geopolitical, socio-cultural, and gender positioning. It is possible to detect how the topographic principle operates. The way to make meaning of the space of travel in a poetic journey is through nomadic negotiation between the subjectivity of ‘woman’ and ‘place’. As the poet expresses it, while writing the poem, the dynamic interaction between the subject and the post-subject living in the poem, as many rats, pigs, birds, bears, etc., and women, is released and erupted. In the poetry of Heo Soo-kyung, who built a poetic world in a foreign space called Germany after publishing two poetry collections, a nomadic orientation is expressed in the poetic thoughts unfolding based on situations conditioned by the physical environment and the lives of strangers. As the incompatible modes of existence of rooting and flowing in the air create aesthetic tension, the ontological awareness of one's own erasure is embodied in a cool-headed sense throughout his poetry. By analyzing cartographic strategies, a valid point can be established to explore the journey of thought inherent in the works of Kim Hye-soon and Heo Soo-kyung, and nomadic subjectivity itself is reconstructed as a transboundary leap, thereby creating poetic images and voices. It can be confirmed that the interpretive horizon for can be expanded