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정지용 시의 음운론적 특성 분석

A study of phonological characteristics in Ji-yong Chung's poems on the basis of syllable structure

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참고문헌

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주제분류학제간연구

초록

The purpose of this paper is to investigate phonological characteristics in Ji-yong Chung's poems on the basis of syllable structure. That is, I divide the syllables of poem into onset, nuclear, and coda, then observe which phonemes are used frequently. The study of Ji-yong Chung's works sufficiently obtains a substantial argument in view of the literary theory. However, it is insufficient for the linguistic method. Poetry is based upon the relationship of similarity among sounds. Sounds perceived as similar to one another create acceptable rhythm pairs. Because sounds are hierarchically arranged in languages, patterns in poetry can reveal the priority order within this hierarchy. So, with respect to the phonological patterns of Korean, I have analyzed all of Ji-yong Chung's works. At last I found the priority order of Ji-yong Chung's poems within sound hierarchy. Most common are syllables with no onset and no coda pairs. With respect to acoustic features, the most frequent syllable utilize the [+sonorant] feature. This pattern remains consistent over time.

Abstract

The purpose of this paper is to investigate phonological characteristics in Ji-yong Chung's poems on the basis of syllable structure. That is, I divide the syllables of poem into onset, nuclear, and coda, then observe which phonemes are used frequently. The study of Ji-yong Chung's works sufficiently obtains a substantial argument in view of the literary theory. However, it is insufficient for the linguistic method. Poetry is based upon the relationship of similarity among sounds. Sounds perceived as similar to one another create acceptable rhythm pairs. Because sounds are hierarchically arranged in languages, patterns in poetry can reveal the priority order within this hierarchy. So, with respect to the phonological patterns of Korean, I have analyzed all of Ji-yong Chung's works. At last I found the priority order of Ji-yong Chung's poems within sound hierarchy. Most common are syllables with no onset and no coda pairs. With respect to acoustic features, the most frequent syllable utilize the [+sonorant] feature. This pattern remains consistent over time.

참고문헌 (11)

  1. 금동철, "정지용 시론의 수사학적 연구", 한국시학연구, 4, pp.7~29 (2001), 한국시학회
  2. 김영미, "정지용 시의 운율 의식", 한국시학연구, 7, pp.2~ (2002), 한국시학회
  3. 김훈, "정지용 시의 리듬의 구조", 강원인문논총, 12, pp.1~32 (2004), 강원대 인문과학연구소
  4. 박순원, "정지용 시에 나타난 색채어 연구", 비평문학, (24), pp.247~272 (2006), 한국비평문학회
  5. 손병희, "정지용 시의 구성 방식", 어문론총, (37), pp.127~155 (2002), 경북어문학회
  6. 송기태, "정지용 시의 의미구조", 동악어문논집, 20, pp.1~44 (1985), 동악어문학회
  7. 여태천, "정지용 시어의 특성과 의미", 한국언어문학, (56), pp.247~274 (2006), 한국언어문학회
  8. 이문걸, "정지용 시의 색상 -색채 감각어를 중심으로-", 새얼어문논집, 1, pp.65~81 (1985), 새얼어문학회
  9. 이숭원, "정지용 시의 심층적 탐구" (1999), 태학사
  10. 이숭원, "원본 정지용 시집" (2003), 깊은샘
  11. 장석원, "정지용 시의 리듬", 한국시학연구, (21), pp.153~177 (2008), 한국시학회

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